Happy Hallowe’en?


So what’s it all about? Why is Hallowe’en suitable for children?

Our ancient ancestors tamed scary things using myth and ritual. Hallowe’en, with witches, ghosts, and the undead, is the festival of fear: of the unknown, of the different, as the long dark nights begin. Coming before the festival of light, which anticipates the promise of the return of life  – Christmas. Both have moved far from their roots…

Could Hallowe’en have become again a necessary festival, to let off the head of steam created by not believing in an ‘Other’? Or (since the enormous popularity of this autumn festival grew as my kids were in junior school) was its establishment helping to give teachers a way to hold back the autumn term’s anticipation of Christmas? Stories and craft activities around Hallowe’en abound, witches are creepily popular, orange paint is fun to use and masks can be made and worn…

And back then, some parents definitely and strongly disapproved. Though I have this feeling that the religious groups don’t really need to fear that evil will be let lose in a big way by Hallowe’en… but, stop there, I believe it can be.

So, is it ‘really evil?’

 – Hallowe’en is a marketing opportunity. Like Christmas, it functions around stories, and even more around dressing up, games and decorations, with costumes  for sale weeks before.

– And Hallowe’en costumes aren’t necessarily all ghouls and ghosts, there’s been a move towards exploiting prejudice, or rather, stigma. Not only death, but disfigurement, deformity, mental illness, criminality, and other ‘nasties’ are being marketed. That, I think, is very scary, as well as being retrogressively evil. Stigma’s as old as society: in our scientific, techno-driven, politically correct age, there’s officially no magic and no witches (at least in black raggedly garments and tall hats). But when ‘monsters’ can be explained away by faulty of DNA, and we know perfectly well that there are no ‘undead’, it seems some of us need them. So Hallowe’en industry says it’s okay to mock, and to stigmatise, and encourage fear.

But it’s not just about celebrating creepy things…  How to see in the Dark

 – One explanation of the origins of Hallowe’en is the ‘Eve’ of All Hallows, the day before the church celebrated the lives of all the ordinary people we have loved and lost. It can become a celebration of love, not fear. One young mum I know is baking love heart cookies for her children to take around their neighbours as gifts on Hallowe’en. For her family, these are ‘to illustrate God’s love’: but even if you don’t believe in God, a heart cookie to remember the people you loved, and who loved you, is a  heartwarming idea.

– The festival falls at the time when darkness really sets in. To live through the darkness, we all need light: we can symbolically turn away from the coming cold and dreary weather, and celebrate thankfully that we have both light and heat in our homes, and in our world.

 – We could also remember that without sunshine, we lack Vitamin D, and buy supplements/choose foods to help us through the long dark days. And anything else, like books, DVDs and getting together with friends that makes us laugh or feel joyful – and drives away depression.

And what about all things orange?

 – Orange not only about sitting at the fireside. The American festival of Thanksgiving (the last Thursday in November) is a bit too late for a Harvest Festival, some areas are already expecting or experiencing snow: so instead they chose All Hallows Eve, the end of October, to give thanks for the harvest. Huge bright orange pumpkins make wonderful decorations…some can be lanterns, with funny faces, a candle illuminating the inside. candle. In North America, some of these squash grow so huge that small children can actually get inside…

I hope your Hallowe’en will be a fun, thankful, and joyful welcoming of the change of the seasons, while the natural world rests ready for the spring, and looking forward to the cosy things we can do indoors (especially reading good stories!)

 

Crashing out – is our language reflecting a more violent and impatient world?

Language is definitely a living, lively thing. But living and lively suggest the dance of words and meanings across the centuries, gathering as they go, changes of usage, suitability, and popularity, and welcoming and including immigrant words from our near neighbours and from across the globe. What is shaping English in the 21st century though? It’s a society which desperately needs to slow down, breathe deeply, and consider opening its heart and mind to seeing the good in others rather than the excitement of indulging prejudice and extremes. But instead violent catch-all metaphorical phrases have barged in, replacing relatively informative, longer, adjectival phrases.

photo by  vanveenjf-mS2ngGq6VO4-unsplash

As a writer, I don’t welcome this trend. Excuse me if I’m over-reacting, but don’t  these over-used examples demonstrate the genre, masculine, clearly the stuff of male-directed fiction? Turbocharged, a car crash, skyrocketing, spiralling out of control, crashing out of Europe.  And the latest, horribly shocking, and abhorant, as I heard on the radio recently, used like this: ‘we can’t throw Ireland under a bus’.

Based in technology, these phrases recall the sound of clashing metal, the stench of spilling petrol and burning oil, an attack on our fragile human bodies, total destruction. It’s all about large machines destroying things, and is often, even usually, applied inappropriately. For example, we might call Boris Johnson “Turbocharged”, or the economy “Spiralling out of control” but these phrases tell us nothing about the real character of the person who has become our Prime Minister, or about a situation except that it is urgent, exciting, and destructive. As for a car crash, is  this really necessary to  describe, for example, a teenager’s GCSE results? Or losing that house you so wanted to buy? And it is surely devastating to those who have experienced the real thing to use such a terrible scene of injury and suffering as a mere metaphor to bump up the drama of a business disaster?  As for crashing out of the EU, isn’t there perhaps something  frivolous in using ‘crashing out’ to describe what should (if it happens) be a serious, world-changing, political move?

Nouns have recently begun to replace phrases: physicality, positivity, viscerality, musicality. Yes, you can make one word do here – just add ‘ality’. But much more pleasant to keep physical, visceral, and musical, and place them in a phrase or sentence which harmonises (has harmonality?) with your description of the writing which you are describing? There’s a noun we use now, commonality, meaning that two (or more) things have something in common. One word is easily missed by anyone who has a problem with hearing.  Conflating a short adjectival phrase, (here “have in common”),  into a single noun could even be understood as a form of discrimination.

I wonder if these language changes have happened because we want to hurry up and get the talking over? We can’t be bothered to put together a longer sentence, it’s easier to seize upon a noun. This new 21st-century style is widespread, used verbally by broadcasters and written in newspapers and other journalism. I’m happy with the historic and inevitable shifting of language and ways in which we express things, and am no “grammar Nazi,” but I’m sad that the combination of these violent metaphors and the new adjective-to-noun formation is adding hurry and thoughtlessness to a society which already can’t even sit down to drink its coffee, but must carry a hot drink in a paper cup as it rushes towards the office, careering towards marketing more goods, growing the economy, and meanwhile destroying the planet.

Perhaps we could make the move to slow down by using language more gently and thoughtfully, and actually turning daily verbal and written interactions into a more pleasant read. Who else would join me in cutting out the petrol, and reducing the CO2 emissions in our speech?

For a quieter, more thoughtful, entertaining read, try my poetry… Available from my website: https://hodgepublishing.co.uk/

 

Christianity is Changing… (a tad controversial?)

BB: Science, Faith, and Prejudice

Christianity is changing–or is it? Well, the label has certainly changed, now it has become  attached to something which has nothing to do with the message of the Gospels, the present United States Republican politics. Many of us believers, who are appalled by this, wonder what we can do in order to prevent ourselves from being labelled as racist, fascist, haters of the LBGT + community, and generally committed to outdated paternalistic prejudices.

TLY: Art, Science, and Losing your Way

As a writer, I am aware that publishing houses don’t want any ‘spiritual’ content in fiction today, (especially not ‘Christian’) yet I hesitate to ban from my stories the strange and informative interplay of strict and liberal ‘religious’ characters, rounded and believable, not caricatures or always the villains.  (And so am happy to be committed to the Alliance of Independent Authors. As an Indie, I’m freer to include a range of odd-balls and explore their worlds… ) And, it’s no surprise that the latest British Social Attitudes survey shows a graph of decline in the practice of Anglicanism (Church of England).  Only 12% of those surveyed responded that they currently worship as Anglicans. Of course, the Church of England isn’t the only church in Britain but membership has plummeted since the first Survey in 1983.

Apart from the hijacking of the definition Christian by a political right-wing group, why might a majority now identify as atheist or ‘no religion’? It seems that there is now a strong attraction for doing without a spiritual side to life, and accepting that Humanism is getting on nicely, despite the amount of violence, crime, drug addiction, poverty, racism, and other miseries.

The Church of England is the State Church and for many in the past membership and regular or occasional worship was part of being English. People continued to be married, buried, or have their children baptised in the local church, it was what you did. Even so there are three distinct forms of Anglicanism. The ‘High Church’, which emphasises the ritual of liturgy, robed choir, organ music, and Gothic architecture. Allied to this are some who practice an English, non-religious, ‘Christianity’, finding peace and some kind of spiritual strength by being in the atmosphere of our ancient cathedrals, appreciating the amazing building, and the harmonies and cadences of church music. Then there are the Evangelicals who reject ritual, favouring lively worship songs to a band, less formal prayer, and an emphasis on Bible teaching, which tends towards strict, and what today we would call patriarchal, interpretation. A third group choose an emphasis on social action and inclusiveness, in opposition to the Evangelicals who find the LGBT+ community difficult to accept on equal terms. So, today, What actually is Anglican anyway?

Society has always responded to the changing world about us. Science, technology, but also how we view ourselves, whether we live as a feudal hierarchy ‘obeying our betters’, whether we have a concern for social justice and how we understand what that is, and where do human rights fit in? Upcoming generations respond negatively to anything not fit for purpose, yet not necessarily rejecting belief outright. Is there a need to move from a backward looking and hierarchical church which offers answers to questions we don’t ask and none to those we do? If this is the end of ‘religion’ in its old form, is it also the end of the importance of the teaching of Jesus Christ 2000 years ago? Much of this teaching I would argue forms part of what we call Humanism – a code of ethics which at its best respects all living beings, has been pivotal in the concept of human rights, and emphasises compassion, social justice, equality, and concern for neighbour. Just what Liberal Anglicans want – but with God!

So why might many people, particularly from the middle-aged down to and including  Millennials, be leaving or have left the Church of England, or indeed any religion? Writing in 2015, the American author Rachel Held Evans, a Millennial, talks about what and how she and her generation are seeking and thinking outside the box of a straight ‘God or no God’ outlook.

She says “… we are tired of… Christianity getting entangled with party politics and power. Millennials want to be known by what we are for… not just what we are against. We don’t want to choose between science and religion, or between our intellectual integrity and our faith… we long for our churches to be a safe place to doubt, to ask questions, and tell the truth… to bring our whole selves through church doors, without leaving our hearts behind, without wearing a mask… when our gay, lesbian, bisexual, and transgender friends aren’t welcome… then we don’t feel welcome either…(we’re not) looking for a hipper Christianity…(but) for a truer Christianity… we are looking for Jesus…

Anglicanism has over the years lost touch with Jesus, and a crucial thing to do is to return to what we know about him, his message and who he is.

Grandparents – value-added relatives?

(My blog on The enduring importance of Grandparents from 2015, re-visited and edited now I’m hoping to move into the third of my ‘Mullins Family Saga’ which will see the three generations all growing older. And now that ‘Grandparent Duty’ has come to us!) 

We’ve just (again) been on a writing weekend at Scargill in the Yorkshire Dales, where we  re-met many friends. Our hosts and leaders,  Adrian and Bridget, are brilliant, full of fun, and steeped in wisdom. In fact, they seem like  everyone’s favourite wise, funny, positive, uncle and auntie – or, … like grandparents. Listening. Encouraging. Moving in the group sessions through the laughs to the sadnesses and back – giving out warm feelings.

An experience which, if we are blessed, we get from grandparents – who are there to care and who, when we have tired them out with caring, ‘give us back’ to our sterner, always more harassed, parents.

This got me thinking: Grandparents have homes are full of  ‘old fashioned’ objects:  the year we lived with my paternal grandparents, Grandma was still using a flat-iron, heating it on the coal-fired boiler. (Okay, it was still the 1950s!) They have time, skills, and interesting stories of ‘long ago’.  Ideas to stimulate an interest in social history. Their childhoods, in another age, are intriguing. Milk coming round in a churn, on a cart? (Goes back a long way, that one: to my ‘other Granny’!)  One of my grandfathers kept prisms on the windowsill in his study: I remember  him showing me how the prisms divided light into rainbow colours.  An introduction to science.

From Grandma’s photo album: long ago grandparents with granddaughter

RAISED BY GRANDPARENTS

I can count many friends who’ve been almost or totally raised by grandparents: some whose Mum has been unable to mother for some reason, and Grandma has lived in and been the main carer. Others whose grandparents have lived until the grandchildren are grown and gone from home: the grief of these adult friends when the grandparents die is a poignant reminder of the enormous emotional importance of the grandparent/grandchild bond.

Worldwide, grandparents, especially grandmothers, are carers. Tradition seems to dictate that those who can no longer bear babies care for babies … and for older children. In many places,  grandmothers care full-time, while mothers work.

And since HIV/AIDS has orphaned thousands of children, grandparents in many countries must care full-time, often for the children of more than one family.

Here in Britain,  many grandparents are daily carers of children, often chosen in preference to child-minders, or nurseries. An Age UK report gives figures: Two-fifths (40%) of the nation’s grandparents over the age of 50 – five million – have provided regular childcare for their grandchildren… The survey revealed that the vast majority (89%) of the five million grandparents who provided regular care do so at least once a week…*

If  families break up, or parents can’t cope, grandparents may find themselves starting over again as full-time, possibly legal, parents.

‘PENSIONERS’ OR VITAL RESOURCES?

In our area, all houses were delivered booklets on resources for the elderly: from ‘Over-50’s Yoga’ to (a particularly unpleasant thought) a ‘Dementia Cafe’ for Alzheimers sufferers and their carers …These leaflets though useful to some residents were a little scary …

Clearly the concept of ‘pensioners’ needs updating: some are making a contribution as worthwhile and lively (and vital to the ‘economy’) than any other workers.

A FINAL THOUGHT

Grandparents may belong to a ‘bygone age’ – but strangely, their ideas, attitudes and behaviour seems to appeal and endear them to kids! They  are not mere spent grey-heads …Perhaps we should begin to take their views on society more seriously? Fun, and wisdom, garnered as a harvest from many years’ experience.

*Source: Age UK (2017)

Bringing smiles to the child refugees held in a toilet paper factory: guest post by Paul Alkazraji, author of ‘The Migrant’

The Migrant – a road adventure tale first caught my attention with its exciting cover, promising a step away from my usual kind of reading, along with entering the world of South Eastern Europe (and I do have a few Greek genes myself). It turned out to be a road trip story, set with danger …  the author, fellow writer Paul Alkazraji, now lives and works in Albania, and writes below about visiting Greek camps where very many Syrian refugee families are living. I’ve followed that up with my review of this fast-paced novel, which takes place in Albania and Athens … Paul Alkazraji in Greece

First, welcome, Paul, and over to you…

As the ‘Migrant Crisis’ began to develop in Greece in 2015, I felt that we in the church in Albania might be able to do something to help the situation. One of the worst trouble spots, Idomeni Camp at the border of Greece and North Macedonia on the ‘Balkan Route’, was only a three-hour drive away.59640223_2322937934467593_8557672743292633088_o

On our two visits there we loaded my old Mercedes Benz 240d with water, plastic sheeting, tinned food and basic medical supplies, and gave them to the groups of volunteers and NGO’s who were arriving too. Up to 10,000 migrants would become stuck in the muddy fields and along the railway lines in makeshift shelters and tents. Frustration would eventually erupt and some died there.

Later in 2016, I visited the ‘Softex’ camp on the industrial periphery of Thessaloniki where over a thousand mostly Syrians had been hastily accommodated after the camp at Idomeni was closed in May. It was one of many where some 57,000 refugees were held in official government camps throughout Greece after new border fences were built and the Balkan migration route closed.

Teams from our group of Albanian churches had been making weekly runs since the spring to bring children’s activities including face painting, action games and a bouncy castle. They also bagged up and distributed fresh vegetables tent by tent up to 600 portions a day.   

Many of those tents were erected inside the former ‘Softex’ toilet paper factory to provide additional shelter from the not-too-distant winter. In the gloomy darkness children pushed each other around in rickety prams and played with broken bricks. There were makeshift street stalls, coffee shops and flat-bread bakers, and it had all the aromas both sweet and foul of a Damascus souk.Softex Camp

“When we first came here, I saw they were living in bad conditions, and if you’d asked me to enter, I would not,” said one church team member Klaus Kalemi. “But I did because I wanted to help. I think that all of them were hoping for a better future, because I saw the writing on the walls here everywhere.”

I met one small boy, Mohamed, from Deir ez-Zur in eastern Syria, there with his parents, two sisters and four brothers. “We came at night in a boat. It had a motor and there were no waves. In the morning we were in Greece. I did not see any fish,” he said.

Syrian refugee child and Paul Alkazraji.“One of the most needed things in the camp is something for the children,” said church team leader Lysiena Topi. “You can see them fighting because they don’t have anything to do. When we went in, at first the managers would say to us, ‘Okay you can try!’ But after we had finished the (activities), they would say, ‘We don’t know how you do it. These kids love you!’ We see the smiles in their eyes…”

My review of The Migrant …60168837_2218491378245051_9168583930788446208_o

Here’s a thoroughly enjoyable, page turning, adventure read. Even though I don’t usually choose books in this genre, I was caught up by the story from page one. The fast paced road trip was vividly described, and the characters believable. This is a story of youngsters who disappear from their village, attempting to climb out of rural poverty, their hope to find work in another country.  There they find themselves in the clutches of criminals and traffickers.  As pastor Jude, the ex-criminal Mehmed, and policeman Luan drove hell for leather from Albania to Athens in a borrowed car, we are with them in all the thrills and spills, their mission to find out what has happened to Alban, and Kela, from their village. 59729418_2322937701134283_6893805191666073600_oDescriptions of the landscape and of daily life in Albania, and of Athens in the riots created by the austerity program in 2012, form the backdrop to their desperate journey, their fears, and the conflicts between them.

?border crossing Albania?We are catapulted into an ending which is both believable and redemptive, though not for all the characters, and certainly not for every hopeful young adult who starts the journey. It could be repeated in many countries of our world, and should be told.

When beginning the book I had not known that there was a prequel novel, involving the characters of the pastor Jude and his wife Alex, and how Mehmed’s former life was changed. When I discovered this, it helped me understand their situation and relationship. I feel that some of that story could have usefully been introduced near the start of The Migrant, and would’ve explained some literary references!

My other critical thought is that a bit more ‘content editing’ could have made for a clearer and more smooth flowing text. In such a fast paced novel, this would have transformed a good reading experience into a very good one.

Recommended to take as a companion on a long journey: you will be transported from your plane or train!

The Migrant was published by Instant Apostle in February 2019

Links: Chapter 1 of The Migrant is free to read here

Or on Goodreads  Or Amazon:Amazon

Paul is on Twitter @paul_alkazraji

 

 

 

 

Are you still writing??

Beginning to settle on the storytelling for the next book, my idea for the opening page is a girl on a train…

“Are you still writing?” Friends – especially the long lost who reappear, visiting – sometimes ask. The answer– yes – looks untrustworthy, since the third book in the Mullins family saga series, hasn’t yet appeared, and number two, The Labyrinth Year was published in 2014.

‘So – are you?’

My “Mullins Family – book 3″ hasn’t yet appeared for unavoidable reasons: health, computer problems, politics. I’m picking up from there, publishing a selection of poems, ironically perhaps relating to those years 1997-2007. and redesigning (with a designer) the Hodge website. Some writers, either by contract or by their own choice, must aim to turn out a book a year. Their readers expect it. Are these always a good read?  Maybe. Or maybe not. Even within a genre, (and genres which follow must-have elements and expectations, such as ChickLit, fast paced thrillers, cosy crime, police procedurals), there’s variation. It takes committed, well informed, professional writers, often with a background in journalism and no “day job” to do a really good job on a yearly basis. My kind of thought provoking books will always take longer, involving research, time to mull this over, and integrate it into a plot with a story arc and satisfying conclusion.

So, I’d thought, ten fictional years forward for each novel. Book two is set in 1997, that’s then a leap forward – to 2007.  Enormous social and political change took place in those ten years. Pre-millennium, governed by Tony Blair’s New Labour, life was very different. We were on the edge of the financial crash but most of us didn’t know.

Pre 2000, we were warned to fear the “millennium bug” which could potentially ruin computer systems. Thanks to hard work from techie people this didn’t happen. But instead, terrorism struck in 2001 –  9/11 shocked and rocked the world. And catapulted the world into a different era. Followed by, in 2016, the idea that we should leave the EU in a process called “Brexit”.

Pre-2000… post Brexit…????

Quite how life in 2007 would speak to us today, when our minds are filled with wars, terrorism, paedophile scandals, Brexit negotiations and now knife crime, what would be exciting about the year before 2008?  Even post 9/11 and the London bombs of 2005, it was still a time of innocence compared to today’s news. Even adding a dimly growing awareness of Climate Change … Book 3 is now set in 2017.

My heroine is a Millennial, Jenny and Max Mullins’s daughter born in 1992, a five year old in 1997. We find her, Alice aged 25, in tears as she travels by train, her mind full of memories… She has recently opened a box and found items she’d saved back in 2007, aged 15. What these memories are should unfold as the story moves along, and we learn of the personal tragic end to that year for Alice. The climax of the idea for 2007… but not the same book…

It’s going to stretch my imagination, and my research capability, to get inside Alice’s mind, but it is an exciting prospect. Have you a book within you, disrupted by political change?

Live… Lose… Learn… poetry by Mari Howard will be available later this year… look out for it soon on the new Mari Howard Hodge website…

 

 

 

 

 

 

 

 

The writer, the Sussex Chair, & Brexit

Maybe it is the time of year: after the solstice, a time of hope or after crazy Christmas, a time of space. For whatever reason, the collective spirit has lightened, even though the world still seems to be at war with itself. A friend who was in deep gloom over Christmas and New Year writes that her depression has lifted, another of that how being “stuck” in her writing, composing a silly poem about that has freed her up again, and I’m  being weirdly inspired by a chair.Version 2

The chair has always been in my family, it was in my room as I grew up. We inherited it from my grandparents, and it just looks like an ordinary upright chair with a rush seat. Apparently it came from artist’s studio, which kind of gave it a romantic feel when I was a teenager, and somehow it seems to have followed me around and is still in our house today. It’s in the room where I paint. A couple of years back, I put the chair in a painting of a child in a strop, an artistic child whose foster mother only understands pink and spangly girls, but this is a denim jeans, creative small girl who hates her pink bedroom. Although she isn’t me, I understand her. The girl is Daisy, known Daze, a character in my Mullins family series, currently two novels Baby Baby, and The Labyrinth Year.

In June 2016 we went on holiday to our favourite place in Cornwall, and the sun shone as we picnicked, on 23rd, with crowds of others at a picturesque typical Cornish cove… When we came home, the painting wasn’t working. I simplified painting the chair, leaving out the essence of the design. I was also really stuck with the third novel, had problems with my computer, had a nasty illness, decided the website needed a make-over, submitted to gloom and pessimism.

And here’s the thing: today I discovered this is actually a ”Sussex Chair”. The spools on the back are central to a design otherwise characterised by simplicity and practicality. It’s a well known William Morris ‘arts and crafts’ design (though ours is a version without the arms). The story – that it came from an artist’s studio – fits with the period it was made.

Strangely that lifted the gloom: knowing I have to make a proper drawing of the chair, do the  intricate and worthy task, a work that takes time and care. It’s a kick-start to getting the novel writing going, and it’s come alongside finally having the website and computer problems solved.

Odd how a chair can call you back to creativity.

cropped-bb-tly-covers-photo.png

What’s Write with Christmas?

This year many writers I know have blogged comments on how they are not, really not, looking forward to Christmas. Often, it’s deeply personal: a tragedy struck them at Christmas, and the season has become one of awakening unbearable memories. And they sound apologetic, or resentful, or both: but to feel that way is reasonable, and sad. And ‘stuff happens …’ So, Christmas has become huge, year on year there seems to be more of everything – food, fun, feasting, drinking, partying, carols and travel and stress … and greater expectation … But there’s other reasons to find ‘Christmas’ a unbearable prospect, and those lie within our grasp …

My book The Labyrinth Year

TLY: Art, Science, and Losing your Way

includes a Carol service scene where I’ve  tried to catch the wonder and magic seen though the eyes of a child … but that wonder and magic are on the back burner this year: behind the busyness and the buying, and certainly behind the mood of a society in political uncertainty… Many of us may feel, as Yeats said ‘Things fall apart, the centre cannot hold’.

Does our Christmas need a centre?

An article I read recently, advertising a fundraising carol service, quoted one of the organisers explaining that it’s necessary to reassure people who might buy tickets that, although this is a kind of Carol service, it’ll be “kind of festive” but “not particularly religious”.

And here’s the thing: ‘Christmas’, historically, has always been a season feasting and fun, though its origins come from the Bible story of the birth of Jesus. It celebrated something: it was the champagne and congratulation cards for a birth. Throughout history in the West, the story has probably strayed far from how the event actually was – adding in the Innkeeper, his wife, the donkey, and other elements (those tea towel head-dresses for example), familiar to anyone who’s had to do with a school ‘Nativity Play’. This ‘religious bit’, once central, continued to give it ‘meaning’, a reason to exist, a reason to celebrate, a birthday – makes sense …

What’s wrong with the story?

So what is the threat in keeping up awareness of the origins of Christmas by telling the story which lies behind the Festival? It’s a wonderful and mysterious story, full of the nearest thing to magic, with its angel choir and a moving Star leading that camel train of astronomers across the desert. To describe the story as ‘religious’, as a contrast to being “light-hearted,” and assure them that there will be “nothing from the Bible” in this carol concert (held in a Cathedral) seems to clearly demonstrate that there is a terrible fear of the Bible, and its ability to take the shine out of Christmas, and make us miserable. Heaven forbid, we may find that book attractive, full of amazing stories of the ancient Middle East as it is. And then where will we be? In chapel, on our knees, ignoring the feast?

I’d suggest that celebrating the basis of a faith is not the same as being ‘religious’: and I’d agree that in today’s parlance, the word drips with gloomy and negative connotations, and with disapproval of fun and celebration. But what the Puritans did to ban Christmas was long ago. The whole idea of feasting and fun at Christmas implies the opposite: celebrations and joy in keeping the feast along with telling the story is perfectly fine. However, apologies have been made, and assurances that there won’t be any religion. 

So Christmas is okay without the story?

The well known carols usually find their inspiration and context in the story – or myth – or fact – of the birth of Jesus. In the start of a life on which the so-called religion of Christianity is based. And there is no real way around this – however much the desired audience dislike the awkward origins of our midwinter celebrations… Having dismissed the very grounds of Christmas, we still want a celebration of carols?  

Would it not be more honest to restrict all the readings by the celebrity readers (invited to “make it interesting”)  entirely to secular writing, and the singers to well-known popular songs? This way the event would neither  offend the secular attendees, nor create a need to ensure that anything ‘serious’ is counterbalanced, with an ending that is upbeat, flippant and not religious (in other words nothing to do with the Bible. So that everyone is sent home happy.

A festival without a centre, then?

The message of the article promoting the Macmillan fundraiser carol service is tragically interesting. It tells us by implication that “religion” – believing in the central Christmas message of God becoming ‘incarnate’ as a human being in order to live out the pattern of a generous and unselfish life, to ‘bring light in darkness’ – is sad, downbeat and best avoided. ‘Happiness’ is evidently  found by rejecting the Christmas message, and embracing instead the satisfaction of our own appetites and emotional excitement. If this is so, then why Christmas in the first place, and certainly why now? What can be ‘rescued’ by the many people who are for one reason or another, not in the mood for, not in the state of health for, just ‘not  feeling Christmassy’? What makes this so sad is that in times of suffering, loss, or loneliness there is actually nowhere to turn at Christmas. Christmas underlines what, materially, we don’t have. What, materially, we’re expected to have. Even non-materially – the expected mythical ‘family’ or ‘love’ … Christmas without the religious bits becomes merely a time to do more than we have energy for in the darkest, dampest, coldest time of year, to travel in terrible weather, to overeat and to overspend – and not much else. A time maybe to be unwillingly alone. As, on the last day – ‘Christmas Day’ – everyone (seemingly) is to shut themselves  away in tight little family groups, keeping out the neighbours, the world at large, and the many people who ‘have to work’ so that the infrastructure and the emergency services keep going…

What’s left?

The outside … No surprise that many people have reasons to feel ‘unChristmassy’: rough sleepers, sick people, anyone who doesn’t have a partner, or a family, or is a ‘migrant’ awaiting deportation … And what’s important seems to be that it’s necessary to become a celebrity in order to be interesting – think of those carol service readers, who must be celebrities to help pull in an audience…

No surprise really that many people have a reason to feel left out of all this …

Strange thing is that the so-called religious people would say that they are celebrating the greatest celebrity of  them all. In a dark world and political uncertainty the message of light coming where there is darkness is amazing. The “religious side” is a message of hope – for anyone and everyone, which doesn’t depend on wealth, status, state of mind, or unending pleasure … while it’s still about The true light, which gives light to everyone, … coming into the world.

 

Brexit Blues and Advent Hope

(photos: my own)

From Halloween to Thanksgiving, Black Friday to cyber Monday, and the new one, giving Tuesday, we have journeyed to the beginning of Advent. Advent is now of course the season of chocolate calendars, shopping, glitter, parties, multiple Christmas trees, eating and drinking, and maybe the great trek to see the in-laws. It’s also where we’ve now met the real debates of Brexit … The pressure is on …

And as pressure is the run-up to Christmas, so confusion is the run-up to Brexit. Let’s see how Advent and Brexit mix and match:

Stress – stressed out for 2 years now, we Brits are faced with our second Brexit-season run-up to Christmas, paralleling arguments and debates in Parliament with … Extra shopping, extra catering, extra excitement, extra parties, extra alcohol—to buy, to make, to plan, to consume … wasn’t running up to Xmas bad enough already …?

Brexit was sold to the public as if it would improve our lives, freeing us from being in thrall to something called the EU, which was supposed to be making our lives harder.

  Christmas is sold to the public as a glorious extended holiday time, filled with fun and pleasure, freeing us from the daily grind of work, which is supposed to make our lives more exciting …

Are both Brexit and Christmas actually fantasies, ideas, maybe nostalgia for ‘what it was like when we were very young’?

Brexit tells a story about ‘taking back control’ from a dominating power…

Christmas tells a story about the birth of a baby who was meant to ‘take back’ his nation from a dominating power (or so they first imagined …)

Brexit may involve us in ‘stockpiling’ essential medicines and food …

Christmas always involves stocking up on essential food—not to mention luxury food—and possibly medicines …

The thought of Brexit is exciting (for some people …) because it is meant to bring about change …

Christmas is exciting because … because it eats up all your change …

(photo: my own)

You get the point: stress, anxiety, and worry. Battling through more than one adrenaline-ladened period of time, made more difficult by darkness, dreary damp weather, the season of coughs and colds, the school holidays … then add the demand to be cheerful because of all those glittery trees, the red and green Christmas jumpers (too warm for the late December mild spell), and that jangling upbeat music in the stores…

Are either of these worth the hassle?

Advent is meant to be a time of watching, and waiting … the idea is to live frugally, to be ‘awake’ to the signs of the times, to notice what needs doing and to prepare ourselves … Advent’s hope includes what we can do to make the future better … 

The Christmas cards may show Santa with a sleigh of presents – or they may show a refugee-type scene of a couple, the man leading a donkey, the woman seated on it (she’s heavily pregnant, but we don’t usually see that). The Brexit scenario covers both … ‘taking back control’ can mean riches or poverty and rejection, which for whom, depends who you are… 

Against the Brexit backdrop, this year the circus of the run-up to Christmas appears to be wilder, more glittery, more demanding,  centred more than ever on partying and fun, as the big stores reveal their Christmas videos, and the on-line outlets rain down advertising emails designed to tempt – with money-off to help us spend …. which makes you think they must be desperate …How much does it take to drive a person away, I wonder, what is the tipping point, when shall we all begin to believe in cancelling Christmas? How many of us are already responding by scaling down, giving smaller gifts, donating meals to Crisis?

So, if all the hassle is giving you the Brexit Blues …How many of us wouldn’t mind if, as Liam Fox said, ‘Brexit is stolen from us’ (BBC Website News 5/12/2018) – just as the wonderful magic of Christmas seems to have been …?

(photo: my own)

Advent is the ‘not yet’ for celebrations, but it is time of hope …for an end to poverty, and violence, and a beginning for climate justice … the characteristics of real freedom … Advent, as we open our calendars or light our Advent candles, is for watching, waiting, being awake, reading the signs… and making positive, non-commercial, changes …

Maybe even for Taking Christmas Back

A couple of relevant Christmas sites:

Useful blog post for parents of kids with additional needsFind help for Going shopping, surviving Christmas here

Giving to Crisis – buy a meal for rough sleepers here

And a spot of on-line Christmas present solutions: how about one of these books?

‘Enjoyed this story about science, research and issues, but mostly about families and how they work. It’s a love story too. I learned a lot, and rooted for the characters to get it together. It’s a good book when you care about what happens …’ (‘Lynn’ Amazon review)

The novel is structured around the shifting perspectives of three people – Oxford fertility researcher, Jenny; her doctor husband Max; and Jenny’s step-sister Daisy. ….The descriptions of Oxford and Cornwall are breathtaking. It felt like being there. Whether a homey pub, a Church, a research lab, a doctor’s office, a country fair or a beach – it all rang wonderfully true.’ (Francis Guenette, fellow author, Amazon review)

 

 

 

 

A Literary Elephant in the room?

Do we really know words as well as we think we do?

I have often heard aspiring writers saying how they ‘love words’ or referring to themselves ‘wordsmiths’. What are words, static material we beat into shape to form what we mean to say, or are they rather less like metal, and more like wild natural creatures, slippery as eels? Shape changers even? Researching their ‘meanings’ over time certainly reveals words as living things, capable of evolving and changing beyond recognition. Take the words ‘worry’, ‘why worry’, ‘don’t worry’, ‘no worries’… how many of us today would use ‘worry’ where ‘strangle’ would do? A dog ‘worrying’ sheep isn’t just increasing their anxiety. If a dog worried sheep, our ancestors were finding dead, mangled, sheep among their flock – a very different threat.

Here I need to seize another word and carefully lead it along—beating it with a smith’s hammer and anvil won’t do. Originally used simply to mean ‘relating to the Gospel or Good News’ the word ‘evangelical’ was adopted to describe a particular type of Protestant Christian belief, often including fervent practice and emphasising that faith should always stem from a personal ‘conversion experience’. Here we then have another way words ‘change their meaning’: the ‘meaning’ slithers by contextualisation, by usage, by connotation…  The ‘gospel’ has  been hijacked: as Evan Maloney (Where did all the Christian writers go? Guardian, 31 March 2010) says, ‘The central commandment of Jesus was “Love one another”—it’s not an idea that leverages power for religious brokers. With social power church needs to divide society into good and evil, and to have these divisions recognised as gospel.’  And so instead of ‘bringer of good news’ the word ‘Evangelical’ has become associated in a majority of minds with not bringing good news at all. ‘Evangelical has morphed in common usage from being a reference to a set of primary theological commitments into something akin to a passionately defended, theo-political brand’ says Mark Labberton, president of Fuller seminary, and editor of Still Evangelicals?  (2018).  And, ‘It is now painfully clear that the evangelical world was strategically and politically co-opted—not by more conservative evangelical leaders, but by political operatives from the Republican Party who saw a real opportunity to take over the evangelical world by making particular appeals to “conservative social issues”’ say Jim Wallis and Adam Taylor in Towards a more authentic Evangelicalism (Sojo website 10 March 2018).

So much for words, slipperiness, and hijacking. 

Identity, and Getting inside another pair of shoes

My previous blog, on Authenticity, talked about identity books, the kinds of books which explore in memoir or in fiction the world of a particular culture, and how reading can open up our imagination to understanding people different to us, by culture, life experience, sexual orientation, etc. And how much I have valued several I read recently. The world of Damien La Bas, from a Gypsy background; the world of Vicky Beeching, raised evangelical, working as a singer/songwriter in ‘mega churches’, and battling with how and whether it was safe to ‘come out’ and be her lesbian self; the world of Afua Hirsch, being ‘mixed race’  where neither Britain where you were born and educated, or Ghana, feels like ‘home’. I feel a bit ‘mixed race’ myself sometimes—more of that later on… 

In that blogpost I’ve also pointed out that ‘labels’ can define us: ‘Once labelled, anything can happen to you. Once a labeller, you lose sight of our common humanity…’ (Three Seek Identity (August 2018)). Our common humanity, sharing our crowded planet, is an important concept: possibly one which might stop the tribalism which threatens to lead us into mutual destruction. If we can all hang on to that. That’s one reason why I value  books by writers who belong to different cultures from the one I was raised in. 

My reading from other cultures began with Jewish novels, but more recently, and against the backdrop of fear created by this century’s wars and terrorism, I’ve read Sudanese Lela Aboulela’s deep thinking stories, particularly The Translator, Minaret, and The Kindness of EnemiesShe paints a picture of Islam as the Western media don’t know it: sensitive, thoughtful. While Afghan Khalid Hosseini shows us another side, in A Thousand Shimmering Sunsnonetheless bringing the novel to a peaceful and happy conclusion, after much suffering. Damian La Bas finds suspicion and rejection from fellow Gypsy Travellers as well as kindness. Kamila Shamsie sums up today’s power hungry politicians and confused young men, and the misunderstanding and the misuse of ‘love’ in Home Fire… 

Are there ‘shoes’ we don’t find in the bookshops?

In all this, where are the serious novels which examine any of this from the viewpoint of the major religion which has become associated with the West over thousands of years, Christianity? English Vicky Beeching, raised in an Evangelical family, growing up surrounded by positive family love, writes in Undivided about the heartbreaking cruelty of Megachurch (and other) leaders and members, who are convinced that being gay is seriously evil, and incompatible with her faith. Despite the fact that Jesus’s teaching omits to pronounce on LBGTQ+ and centres on generosity and acceptance for our neighbour whoever they are: ‘In Christ there is neither male nor female, Jew nor Gentile, slave or free…’ writes Paul to the Early Church. Vicky’s book is a memoir, not a novel. The antagonism isn’t a story, it’s real.

Serious, thoughtful fiction, examining our present lives, the faith or absence of faith which drives us, underpins decision making, defines our culture, unites or divides us, is hard or impossible to find. In my intended third story in the Mullins Family Saga, Alice, in her mid teens, is going to spend the long, wet, summer of 2007 observing the antics of the adults in her life, discovering their strengths and weaknesses, and ultimately a tragedy which might have been avoided. It’s a bit like updating I Capture the Castle to early twentyfirst century North Oxford and it should be exciting to write. The ‘saga’ began with what was then a stand-alone novel, Baby, Baby, an attempt to look as objectively as I could at the relationship between two graduate students, powerfully attracted but from entirely hostile family backgrounds. The genre was partially inspired by the works of Shamsie, Aboulela and Hosseini, exploring family, generational, and community relationships in the context of Islam. And by being inside a family which is its extended form includes two ‘world religions’ and none, while also watching and accepting my own children and their friends turning away from following a path of faith, while maintaining a strong, but sometimes different, moral code.

BB: Science, Faith, and Prejudice

In Baby, Baby, Jenny’s secular family, her father a prominent fertility expert, and her mother, a GP, have no use for religion. Max’s father pastors the nearest thing to a ‘megachurch’ in Northumbria, preaching a narrow, patriarchal faith. Here’s my ‘mixed race’ feeling: raised in a birth family very much underpinned by Christian faith (though not at all Evangelical), I grew up very aware that ‘our’ family culture was not shared by, most probably, the majority of those around us.  I happily read children’s science fact books alongside the Bible, but was kind of unable to ‘get’ Narnia. 

So, my ‘mixed-race’, discomforted sense of not belonging to either culture: the ‘religious’ one, or the secular.’God is irrelevant, we don’t need one…’ ‘Are you religious?’ Well, actually, no. I belong to and follow a faith. I can’t identify as ‘religious’, that word which now carries a lot of ‘stuff’ including all those ‘don’ts and ‘do’s’ hedging a person around with a fence that has no door to open and let in compassion, integrity, and inclusiveness. My answer to this question is summed up here: ‘Writers are generally independent thinkers who dislike having their thoughts roped by doctrine’ (Evan Maloney, as above). Maloney’s article was asking ‘Where did all the Christian writers go?’, and he references many who lived, well, a very long time ago, pointing out that there aren’t many, if any, writing today. 

“‘By the time Lewis and Elliott converted to faith in the late 1920s, Christianity was a bete noire of the literary world. Virginia Woolf wrote about Elliott to a friend in 1928 “I have had a most shameful and distressing interview with dear Tom Elliott, who may be called dead to us all from this day forward. He has become an Anglo-Catholic believer in God and immortality, and goes to church. I was shocked. A corpse would would seem to be more credible than he is. I mean, there’s something obscene in a living person sitting by the fire and believing in God.”’ (In Evan Maloney, as above).

This about sums it up. Though we can cite Marilynne Robinson and J.R.R. Tolkien, their books are quite hard to read and not perhaps in line with popular taste. In children’s writing, Narnia though loved in the 1960s and 1970s, is now inadequate through much dated language and culture, reflecting the era when Lewis was writing. Most novels from the twentieth century dealing with faith have been critical exposures of the woeful inadequacy of Christianity in various ways—John Updike, Graham Greene. And those whose unhappy brush with it has led to their atheism: Philip Pullman comes to mind—possibly also Patrick Gale (it seems possible, as he attended a Cathedral choir boarding school, and tells the story of the secret life of a priest in his novel A Perfectly Good Man). And I’m not unsympathetic to those who end up rejecting the God they were taught about by words or actions. ‘Modernist and post-modernist literature vivisected the body of Christian orthodoxy,’ (Malone, as above). Maybe that orthodoxy had already wandered far enough from its roots to deserve a radical removal?

Where then are the ‘Christian’ writers – and what does ‘Christian’ imply?

So, is ‘society today prejudiced against Christian writers? Or is Christianity rightly viewed as a faith that deters the freethinking that great literature demands?’ (Maloney, as above). Probably. Are we as a society afraid to discuss the relevance of Christianity, unbelief, ‘the Church’ with its positive and negative sides, its part in colonialism, as a state religion, does it have a future, and other controversial areas?  Is that really boring and passé? Or is it so woven into our past that to banish it entirely threatens our understanding of our history, and our present?

I’d never claim to write anything approaching ‘great’ literature, but aiming for a serious literary handling of faith, in today’s English language milieu, it’s pretty much impossible to be published.

TLY: Art, Science, and Losing your Way

I decided on gong Indie (and joined the Alliance of Independent Authors, link here). There’s otherwise a choice between publishing ‘mainstream’ (do not even hint at spiritual or moral content) or approaching a ‘Christian’ publishing house (though these, even before the ‘Republican’ makeover, definitely debarred the more liberal faithful investigating risky areas, included a list of what not to say (for example, no dialogue with the f-word,) and preferred a happy ending, possibly with conversion though redemption could do.) This makes it hard to enter even a toenail into the water of agents or trade publishers. Authors are resorting, if they can, to writing fantasy, or historical novels set in times when (they claim) ‘everyone believed and it could be talked about’. But has that ever been true?  I very much doubt it. In a hierarchical society, it was simply wise to go along with what everyone did, and keep your doubts or disbeliefs to yourself. 

Fear, prejudice, or whatever makes a book unacceptable to either side if it discusses the definitely off-topic subject of faith or unbelief, without advocating or demonising one or the other, has now made ‘Christian’ literature an ‘elephant in the room’ best avoided. Like ‘evangelical’, discussed above, the label ‘Christian’ has now been shape-shifted, by usage, association, and connotation, into something aggressively opposed to the radical teaching of its founder, a man of integrity, inclusive of women, foreigners, outcasts, and passionate for the poor and dispossessed. 

 Labels. Connotations. The power of words …