The Rituals we didn’t attend, the Friends we miss..

Ritual – what does this mean to you? Rituals can be traditional, religious, political: think of all the rituals we love (maybe the family time-honoured way to do Passover or Christmas – those little add-ones which are especially ‘ours’ woven into or onto our religious or traditional festival practice. Our favourite way to celebrate family achievements such as anniversaries or graduations – even publishing a first book.)  Rituals have honoured the arriving, mating, passing, process as far  back as – well, as far back as human life can be traced. In ritual, we as humans find satisfaction, celebration, closure. In a known ritual, we find satisfaction or comfort.

So when locked down by the pandemic, or even beyond that, for those of us who need to be a bit more careful as we move back into the ‘normal’ world again, ritual is much missed. We haven’t celebrated, or honoured, important life events of family and friends along with our circle of family and friends. 

In the shower, I was thinking (as you do, it’s a great place for writers, working out  a difficult scene in a novel – the dialogue effortlessly flowing, unlike at the desk). My showering thoughts a few days ago wandered, homed in on, the group of family and friends whose passing we haven’t been free to mark with ritual. How missed they are from the ‘return to normal life’. Five of them. None caught Covid, and one was spared the entire horrible phase of winter 2019 onwards: all were enormously valuable to us and made our lives brighter in their individual ways. 

Just before Christmas 2019, before the news of the strange new deadly virus far away in China hit the headlines, we as an extended family celebrated the life of Oliver, my brother in law, a quiet, intelligent presence in at the centre of a noisy, argumentative family. A career diplomat, Oliver was also a family one, pouring oil on troubled waters, being a ‘still centre’. The losing thing, after a very short illness, was a bit of a shock to everyone, despite he was in his mid-80s. The service at Blackfriars was done just perfectly for the Catholic/Secular/Muslim large extended family, few of whom are ‘religious’, and the lunch afterwards was a wonderful way to meet up and observe the interacting generations – so many grandchildren from several large families! 

My good friend, bouncy Liz, left us in 2021. Liz was a support for my writing, commissioned several paintings from me, was my companion in retail therapy when we shopped, lunched, and put the world to rights. She was by then a newly retired GP, and much missed by her patients. Liz had always been full of energy, baking and cooking for numerous events at her church, even sometimes after a day in the surgery! She loved people and animals and at one point had eight cats! And she always had a wonderful smile. Liz wasn’t a perfect person, ’(none of us are! ), but a really wonderful, caring, and fun friend to so many.  

That was 2021. Last week came the funeral of Nicola, local self-taught wildlife and nature photographer. It’s almost impossible to realise she’s no longer to be found in the nature reserve, utterly quiet and still, camera focussed on some tiny or very shy creature, a damselfly, a fox, or the first discovery of a particular fungus in our area. I’ve learned a lot about observation simply by being with as well as chatting with Nicola. She would always share things – point out a bird (kingfisher, tree creeper) or an insect, (damselfly on a blade of grass, hardly visible unless one was really looking, a ‘bee-fly’ visiting a flower), so others shared the joys of her acute observation. 

Gina and Georgie, a poet and a priest, are also gone from the human scene. Both worked, in their separate ways, as counsellors, and cared deeply about people, both gave themselves in long hours, and both also equally enjoyed a glass of wine chatting with friends, a celebration, and the quiet, meditative times. Unassuming Gina’s poetry had a naughty side typically her own: Georgie founded and successfully ran a ‘spiritual growth centre’ to which she had a skill with inviting some fantastic speakers for Quiet Days centring on art and literature. 

The world seems messier since the pandemic: war in Ukraine, extraordinary political turmoil in the most unexpected places, climate in crisis. Although, there’s never a time in history when all is quiet, peaceful, in no need of exceptional friends. I am hoping today’s youngsters, struggling through school and college years against the backdrop of all the uncertainty around the climate, the politics, and the inequalities, can still grow up ready to care, inspire, and be celebrated for their thoughtfulness, their friendships, and their capacity for laughter and fun alongside inspiration, diplomacy, and caring.

I also hope our rituals – acknowledging and celebrating rites of passage or religious beliefs – will never become forgotten, set aside, or dispensed with. They don’t need to be outrageously lavish or original, but they do need be special to the person, people, or event celebrated: we are all unique.

Poem for All Souls Day...... And below that,  the cover of Live, Lose Learn , a small book  of my poems...  (available from Hodge Publishing, www.hodgepublishing.co.uk- e-mail office@hodgepublishing.co.uk

‘Time like an ever-rolling stream
Bears all its sons away
They fly forgotten as a dream
Flies at the break of day.’

Time, like an ever-rolling stream ... or
like waves, breaking on the shore,
pulls at each withdrawal
some mass of pebbles,
indifferently makes choices to bear away
and smooth,
dumping them elsewhere on the beach ...

I see them, each a soul ...

A soul within a context:
The antique desk, a candle, fine china,
a prayer... the one whom All Saints’ Tide
this year bore away ...
And another – sixty years her junior, un-timely,
who dyed our bath deep purple,
whom I’d admonished for leaving a trail
of peach-stones, and sticky doorknobs,
in our house –

A favourite Uncle, who mirrored a father gone –

My unassuming friend, beloved of special-needs children, crushed, by a bus ...

My father, defying medical advice,
hastening uphill,
to buy real farmhouse cheddar (with a rind) ...

My aunt – the star pupil, unfulfilling early promise,
breathed her last in poverty, and her sister’s arms –

My mother wondered if her life –
based on ideas of service
– had made a difference –
and supposed the old attic-bedroom wardrobe
of her childhood
haunted her hospital room –

Time’s waves reared up and took them all,
relentless breakers, sifting, plashing, pounding
and re-shaping
our own lives, left behind.
‘Time like an ever-rolling stream
Bears all its sons away
They fly forgotten as a dream
Flies at the break of day.’

Time, like an ever-rolling stream ... or
like waves, breaking on the shore,
pulls at each withdrawal
some mass of pebbles,
indifferently makes choices to bear away
and smooth,
dumping them elsewhere on the beach ...

I see them, each a soul ...

A soul within a context:
The antique desk, a candle, fine china,
a prayer... the one whom All Saints’ Tide
this year bore away ...
And another – sixty years her junior, un-timely,
who dyed our bath deep purple,
whom I’d admonished for leaving a trail
of peach-stones, and sticky doorknobs,
in our house –

A favourite Uncle, who mirrored a father gone –

My unassuming friend, beloved of special-needs children, crushed, by a bus ...

My father, defying medical advice,
hastening uphill,
to buy real farmhouse cheddar (with a rind) ...

My aunt – the star pupil, unfulfilling early promise,
breathed her last in poverty, and her sister’s arms –

My mother wondered if her life –
based on ideas of service
– had made a difference –
and supposed the old attic-bedroom wardrobe
of her childhood
haunted her hospital room –

Time’s waves reared up and took them all,
relentless breakers, sifting, plashing, pounding
and re-shaping
our own lives, left behind.

Memory, an echo in a shell, held to our ears
mimics untouchable realities which once
defined us.

I light a candle,
Un-forgetting, determining
eternity must not be a dream,
and that All Souls’ Day is a feast in heaven.

Memory, an echo in a shell, held to our ears
mimics untouchable realities which once
defined us.

I light a candle,
Un-forgetting, determining
eternity must not be a dream,
and that All Souls’ Day is a feast in heaven.

Taking off my Hat to my Younger Self

Dot Matrix printer: remember them?

(This was first published as my contribution to the Authors Electric blog for the month of June 2021)

Yesterday our usually human-oriented, friendly cat spent eight hours lurking under the sofa bed in my ‘den’ (or writing space), which doubles, with the sofa in its bed pose, as a guest bedroom.  For him, ‘lockdown’ was most definitely over: a small fast-moving human creature, whom he had forgotten about, was again whooping and shouting around the house…

         I could agree with the cat. Lockdown provided a quiet routine life, when writing could be fitted into the daily round of on-line shopping, exercise classes, meetings and chat. Ever since my husband’s office sent everyone off to work from home (16 March 2020) this routine has given our cat ‘sit-on time’ around 10.00am, as we three met up for our tea and biscuits morning break, and again around 4.45pm for tea and a slice of toast (the cat of course had cat kibble, if hungry, but the specialness of these times isn’t food (forhim), it’s that he can sit on a lap, one of his very favourite things). 

In fact, lockdown has given our cat a new interest: observing and researching human life. He finds all of it extremely diverting, if mysterious. He’s an eager participant (or tries to be) at Zoom/Teams meetings (along with other cats), watches a cultural television programme with deep concentration and puzzlement, and always turns up hoping to join my weekly on-line Yoga sessions… but enough of cats, except to say that having hunted all over the house for him, I discovered him under the sofa bed, having squashed himself flat, and beaten the record of the Lakeland cat which Beatrix Potter observed as having sat on the lid of a basket for five hours. After such a feat, he was extremely hungry, and ate two suppers while I began preparing ours.

That cat who sat on the basket for 5 hours (from The Tale of Benjamin Bunny, one of my favourites as a 4-year-old)

My observation meanwhile was to feel like taking off my hat to my younger self: during this last lockdown, we’d discovered, lurking in some box in the attic, a collection of about ten short stories written by that younger self. Some printed by our first, dot-matrix, printer, on recycled paper bought from one of the then-new ‘fair trade’ catalogues, now yellowed with age. These were from that now-taught-as-history-in-schools date of 1989 — remember what you were doing then? Although I know women who write now while raising a family, as Mum to three children, then aged 12, 8, and 8 (twins), I wondered where they find the time? Making supper for two, I recalled cooking meals for 6 (including my mother who was living with us) back in the 1980s.  

Whatever, the discovery has kicked off a lockdown project: to edit and publish my stories from 1989 to just the very beginning of the 2000s as a collection, a historical looking-back through the last 20 years of the 20th century, when life was simpler.

All the elements which drive my present writing and interests are strongly present in those stories, but with a different, more innocent slant. Back then, I’d had a few articles published but hadn’t even thought of writing a novel, or had any ambition about ‘writing’. The articles concerned, at a non-specialist level, socio-political attitudes. But in the stories, characters swirl through a world of their own personal discovery based around their relationships, mostly heterosexual, mostly concerned with a spot of romance, dreams broken or dreams achieved — mostly lessons learned, sometimes strangely magical. They chronicle the background of the world of my University years, dotted all over with the friends I moved among: artists (I’d hang around their studios, envying them the apparent freedom studying Fine Art), or medics (how on earth had they known to apply for this so-adult subject, what was it like to be on the wards discovering the realities and responsibilities of clinical medicine? Like me, they were barely into their 20s). One story at least points forwards to my first novel Baby, Baby, which takes look at the ethics of artificial reproduction. 

The early stories point to a then-unrevealed future: soon after (1992) I went back to academic study, and took a certificate course in Social and Political Science, ending up specialising a bit in medical sociology, widening and probably liberalising my knowledge. Through that time, more stories evolved. Where did the time come from?  We had reading, and essays, and there were now pre-teens and teens in the household! 

Now this discovery has spawned a new project: edit and publish them. Western Europe was still moving through days before urban terrorism, “Brexit” and the pandemic. What considerations governed decision-making in ‘normal life’? The news has uncovered sex abuse and corruption, campaigning has brought to light so many diverse communities and issues purposely hidden away by past generations — LGBTQ+, same-sex weddings, Black Lives Matter, anti-Colonialism, the Windrush scandal, the climate crisis, the Grenfell Tower… the list is far longer. For readers, novels as well as non-fiction abound to devour, and to inform. For writers, such rich seams of information, discussion and opinions offer an invitation to juggle (seriously) with the controversial, to inform or appeal to the public imagination. Normal life — without a pandemic — isn’t normal any more (if ever it was).

If the cat could understand, what would he choose? I’ll take my hat off to all today’s fiction writers who try and achieve writing seriously while raising a family. Today it is exhausting to be a Granny and to attempt to write a novel.

The perceptive feline himself… figuring out what’s on the TV…

Grandparents – value-added relatives?

(My blog on The enduring importance of Grandparents from 2015, re-visited and edited now I’m hoping to move into the third of my ‘Mullins Family Saga’ which will see the three generations all growing older. And now that ‘Grandparent Duty’ has come to us!) 

We’ve just (again) been on a writing weekend at Scargill in the Yorkshire Dales, where we  re-met many friends. Our hosts and leaders,  Adrian and Bridget, are brilliant, full of fun, and steeped in wisdom. In fact, they seem like  everyone’s favourite wise, funny, positive, uncle and auntie – or, … like grandparents. Listening. Encouraging. Moving in the group sessions through the laughs to the sadnesses and back – giving out warm feelings.

An experience which, if we are blessed, we get from grandparents – who are there to care and who, when we have tired them out with caring, ‘give us back’ to our sterner, always more harassed, parents.

This got me thinking: Grandparents have homes are full of  ‘old fashioned’ objects:  the year we lived with my paternal grandparents, Grandma was still using a flat-iron, heating it on the coal-fired boiler. (Okay, it was still the 1950s!) They have time, skills, and interesting stories of ‘long ago’.  Ideas to stimulate an interest in social history. Their childhoods, in another age, are intriguing. Milk coming round in a churn, on a cart? (Goes back a long way, that one: to my ‘other Granny’!)  One of my grandfathers kept prisms on the windowsill in his study: I remember  him showing me how the prisms divided light into rainbow colours.  An introduction to science.

From Grandma’s photo album: long ago grandparents with granddaughter

RAISED BY GRANDPARENTS

I can count many friends who’ve been almost or totally raised by grandparents: some whose Mum has been unable to mother for some reason, and Grandma has lived in and been the main carer. Others whose grandparents have lived until the grandchildren are grown and gone from home: the grief of these adult friends when the grandparents die is a poignant reminder of the enormous emotional importance of the grandparent/grandchild bond.

Worldwide, grandparents, especially grandmothers, are carers. Tradition seems to dictate that those who can no longer bear babies care for babies … and for older children. In many places,  grandmothers care full-time, while mothers work.

And since HIV/AIDS has orphaned thousands of children, grandparents in many countries must care full-time, often for the children of more than one family.

Here in Britain,  many grandparents are daily carers of children, often chosen in preference to child-minders, or nurseries. An Age UK report gives figures: Two-fifths (40%) of the nation’s grandparents over the age of 50 – five million – have provided regular childcare for their grandchildren… The survey revealed that the vast majority (89%) of the five million grandparents who provided regular care do so at least once a week…*

If  families break up, or parents can’t cope, grandparents may find themselves starting over again as full-time, possibly legal, parents.

‘PENSIONERS’ OR VITAL RESOURCES?

In our area, all houses were delivered booklets on resources for the elderly: from ‘Over-50’s Yoga’ to (a particularly unpleasant thought) a ‘Dementia Cafe’ for Alzheimers sufferers and their carers …These leaflets though useful to some residents were a little scary …

Clearly the concept of ‘pensioners’ needs updating: some are making a contribution as worthwhile and lively (and vital to the ‘economy’) than any other workers.

A FINAL THOUGHT

Grandparents may belong to a ‘bygone age’ – but strangely, their ideas, attitudes and behaviour seems to appeal and endear them to kids! They  are not mere spent grey-heads …Perhaps we should begin to take their views on society more seriously? Fun, and wisdom, garnered as a harvest from many years’ experience.

*Source: Age UK (2017)

The writer, the Sussex Chair, & Brexit

Maybe it is the time of year: after the solstice, a time of hope or after crazy Christmas, a time of space. For whatever reason, the collective spirit has lightened, even though the world still seems to be at war with itself. A friend who was in deep gloom over Christmas and New Year writes that her depression has lifted, another of that how being “stuck” in her writing, composing a silly poem about that has freed her up again, and I’m  being weirdly inspired by a chair.Version 2

The chair has always been in my family, it was in my room as I grew up. We inherited it from my grandparents, and it just looks like an ordinary upright chair with a rush seat. Apparently it came from artist’s studio, which kind of gave it a romantic feel when I was a teenager, and somehow it seems to have followed me around and is still in our house today. It’s in the room where I paint. A couple of years back, I put the chair in a painting of a child in a strop, an artistic child whose foster mother only understands pink and spangly girls, but this is a denim jeans, creative small girl who hates her pink bedroom. Although she isn’t me, I understand her. The girl is Daisy, known Daze, a character in my Mullins family series, currently two novels Baby Baby, and The Labyrinth Year.

In June 2016 we went on holiday to our favourite place in Cornwall, and the sun shone as we picnicked, on 23rd, with crowds of others at a picturesque typical Cornish cove… When we came home, the painting wasn’t working. I simplified painting the chair, leaving out the essence of the design. I was also really stuck with the third novel, had problems with my computer, had a nasty illness, decided the website needed a make-over, submitted to gloom and pessimism.

And here’s the thing: today I discovered this is actually a ”Sussex Chair”. The spools on the back are central to a design otherwise characterised by simplicity and practicality. It’s a well known William Morris ‘arts and crafts’ design (though ours is a version without the arms). The story – that it came from an artist’s studio – fits with the period it was made.

Strangely that lifted the gloom: knowing I have to make a proper drawing of the chair, do the  intricate and worthy task, a work that takes time and care. It’s a kick-start to getting the novel writing going, and it’s come alongside finally having the website and computer problems solved.

Odd how a chair can call you back to creativity.

cropped-bb-tly-covers-photo.png

Being authentic, Writing about Christmas …

It’s snowing … when it snows here in the UK, we all get very excited … all morning, couples, groups, and families passed our front windows, hurrying towards the nearest green space (it’s fairly near), big smiles on their faces, and pom-pom hats on their heads … It’s kind of sweet and funny … All too soon the snow will melt into a brown slush, the slush will freeze to treacherous ice … but until then, it’s winter wonderland, all set for Christmas.P1060646.JPG

In my novel, The Labyrinth Year, I wrote two Christmas scenes: a magical carol service, and an up-beat celebration in a church, where the Vicar wore reindeer antlers … At the end of the service, as they leave,  Max, (the Dad) remarks how the congregation’s emotions were played on by the music … Although Mum Jenny accuses him of cynicism, he has a point …Christmas, St Margaret's

Christmas is a difficult time …A couple of weeks back, a Facebook friend and fellow writer posted that she ‘loathes’ Christmas … and she’s right, though loathing is a pretty strong word, it’s good to make us face up to this: Christmas is an utterly problematic time. I mean, it’s silly: in the middle of a dark, cold, depressing, season, everyone is required to shop till they drop, give and attend parties, perform plays, sing carols, travel across country (maybe continents) to be with family members, to send cards, give presents, be happy, and generally expend extra energy. And catch each other’s seasonal illnesses. Street decorations vie with one another for splendiferousness, and multiple decorated trees appear in the stores and on the pavements. Those vast tins of mixed biscuits appear in the supermarkets …IMG_2354

I want to cover my ears and my eyes: I want to escape …

Do you love it all? Or do you feel it makes a mockery of the (various) religious, and even secular, bases for this, by being a time of spend spend spend when people can run up debts, and when the really desperately poor and the homeless are thoughtlessly given the message that they are left out of all this ‘by circumstances’. It’s really (possibly unintentionally?) hammered home. Even if there is a tad more shelter, and with a Christmas lunch at Crisis, it’s not … well … it’s just not.

We are planning a very plain Christmas with moderate ‘feasting’, trying to be happy and friendly without the BIG stuff which obscures the bottom line reason why Christmas is there. Why indeed is it? In a secular society, the reasoning behind the gift-giving has lost its edge, the causes for celebration obscured. Not that we shouldn’t give and celebrate – but, let’s be honest, it’s come adrift from the story in those carols, hasn’t it?Crib scene knitted

Did you know that the ‘old fashioned Christmas’ was not a big festival as it is today? In Samuel Pepys’ day, 25 December wasn’t a public holiday. And even not so long ago, people (for example my grandfather) worked up to the end of Christmas Eve, or even worked a half day on Christmas Day itself. Families didn’t necessarily give big presents and a Tree wasn’t assumed to be bought every year.  A mid-winter festival is a chance for fun, but I truly believe this is not necessarily a time for every school to produce a play, and a carol concert, or for evangelising the population, or  to entice people into church with carols, candles, and mince pies… or for getting into debtP1120758

I remain a believer in the Christ who taught compassion, healing, wholeness, inclusiveness, justice for the poor, etc. – and if he was really born into poverty and greeted by angels and shepherds, that is wonderful. But, I feel a lot of empathy with everyone who ‘loathes’ what Christmas has become, and with those who look around and take offence at its public face … This is not a ‘Christian country’ (could such a country ever exist?  Faith isn’t about political boundaries – and if it’s about family, and friends, it’s about caring and sharing.xmas choc cake

Whether or not you attend the Carols by Candlelight, the Panto, the parties, the Midnight Mass, and watch the Queen’s Speech … whether or not you eat turkey and drink Prosecco, wearing a funny hat … whether or not it snows…

To read about Christmas, New Year, and a whole 1996-7 family experience, go to our website to find more about The Labyrinth Year … and the prequel, Baby, BabyBB & TLY covers photo

 

So, we have 350 knitted poppies … before we say goodbye to ‘Poppy Day’ …

A friend pointed out that we should not remember war, as that glorifies it … but there’s another way to ‘remember’ it, and that’s what I wrote about on my earlier Knitted Poppies blogpost (Why is the Writer Knitting Poppies?) Well, we knitted 350 between us ….

If we forget the World War(s) which brought 11.00 O’clock on11th November into our national calendar, and those who died, horribly, and ‘meaninglessly’, shedding the blood those poppies represent, we’re in danger of forgetting that war is terrible, horrible, and solves nothing … And, we forget that for each human being killed by war, there is a family, friends, a break in community … suffering beyond the killings … and we add in all who have died in wars ever since … and wonder why human beings and their governments never learn …

P1260006
At least one white poppy for peace …

Another  friend wrote, earlier today, about how it is the younger generations who remember and support Remembrance, certainly in her village all ages come to the community events … interesting … Here’s my response to her blog … How our parents and grandparents reacted – hardly glorifying war by remembering, more by sorrowing over it … that is what I was  raised on, that is why we have Remembrance Day

‘You are possibly right that our parents and grandparents (some had lived through 2 ‘world wars’) did not want to ‘remember’ in local group activities, but I remember that the Cenotaph service was always heard on the radio, with a very reverent and subdued attitude. They did not talk about their experiences … it was too raw and too complicated.

My youngest Uncle had been bombing Germany on his 21st birthday. Not something you want to think about – and he only told his children during his last illness, and they told us a few years later.P1100440

My Dad was obviously very proud of his ‘men’: he was in the Royal Artillary with an anti-aircraft crew on the south coast, but again, there was nothing else said about his war, just the odd remark if a photo appeared during family de-cluttering. And that he’d had a wonderful Old English Sheepdog at the time …

I think the Wars changed people and brought to end the lovely freedom and fun they were having as young adults. Some  leaving University and straight into military training, and if they survived, into ‘re-building the country’  work instead of, for example, becoming a professional musician (my youngest uncle had a music degree, but went back and trained as an architect, building and re-building in the North East.) P1260008

So … it is up to us to ‘remember’ and maybe to keep on working to make the world a more peaceful and generous place (which it certainly still resists being …) …

As for World War One, I had never even heard of anyone who was killed in our family, until I did Family History research, and discovered 2 families shattered by the loss of eldest sons … In both these families of 3 boys, the eldest was killed and the two younger brothers seem to’ve  been deeply affected in  life changing ways … So today I shall be thinking of Bryant Yorke Lodge and Louis Feaveryear … nephew and cousin to my 2 grandmothers. And writing this has made me cry (a rare thing) … the echoes of war … Debbie, I’m going to post this – I was going to write about it later but seems I’ve written the basics of it now …thank you for eloquently raising the subject here …’IMG_4164

I knitted myself a poppy to wear … and found several of us poppy knitters had all thought of the same idea … Now back to the writing … not sure if I can squeeze any Remembrance Day events into it, we’ll see …

With thanks for Debbie for her post, and to my cousin Alex Wheeler for showing us some mementos from his dad’s flying days … 

more poppies – Version 2

 

 

 

 

 

Wherever next, or “Happy 2017”?

I was a teen in the age of aquarius. An age of love, light, and humanity, unlike the current “Age of Pisces (Remember the song, from ‘Hair’? Maybe not…)

Talk, (not so long ago) ,was of how we have moved into a digital age.

dark days (fog)
Life in the post-truth era …?

But now we are also living in the post truth era.  

On New Year’s day, (a dark, damp day here), a friend posted an article on Facebook: Are we heading for in a post-human rights world? (Well, it was only what I’d been thinking – but here was the detail…)

So, …‘how was your Christmas? Ours was a lovely few days of family togetherness, and

img_2385
Family togetherness

suspension of considering the gloomy realities of 2016.  Although as a family we’re all roughly on the same side, at Christmas lunch political talk was banned on pain of having to eat another sprout for each politically driven remark – I (Mum to the instigators) took and ate two before succumbing with humour to the ban!

 It’s probably easier for us parents to ‘accept’ the darkness of the times. Our adult children, midway into careers, have a possibly worse prospect ahead in terms of employment, pensions, raising a family. Food Banks were almost unknown when we were in our mid 30s, and Crisis at Christmas Crisis at Christmas (founded ten years earlier, 1972) a relatively new idea. This year, our younger son was spending part of his Christmas holiday helping out at his local crisis centre.

screen-shot-2017-01-03-at-20-18-46
 Written by a fellow ALLi author , and recommended by me (photo, Amazon UK site)

 

Over the holidays, I’ve read a novel which partly draws its central theme from the  Aldermaston Marches. And the terrible events not only of Hiroshima but of nuclear testing which continued – without detailed public knowledge of its consequences  – throughout what appeared to us post-World War II children a safe and peaceful world, (despite the Cold War).

As this New Year arrives, it’s only too evident that decades on, we are living in dark days: 2016 has brought extraordinary changes, uncovered or unleashed hatred, disagreement, bewilderment, and fear. Civil war in Syria since 2011 sends thousands of civilians running for their lives, and the knock-on effect of camps full of refugees has frightened people. We in the western world aren’t used to such movement of peoples. What changes might it mean? Atrocities in major European cities and towns, the bombing of hospitals and schools in war torn countries, clearly ignore the most basic ‘human rights’. ‘Happy Christmas’ and ‘Happy New Year’ are lovely phrases when genuinely meant, but ring with a hollow sound while there is violence, suspicion, and little compassion, and the new age is described as ‘post-truth’. (And did I really see Donald Trump quoted as saying that torture kind of ‘does the job’, intelligence-wise?)

Ironically, 2016 also saw the demise of a huge number of iconic public figures, household names from the arts to politics. Who can replace Victoria Wood, (who got away with such lines as ‘Beat me on the bottom with the Women’s Weekly’ )? Can anyone be the new Prince?  Or Neville Marriner? Or mother and daughter actors Debbie Reynolds and Carrie Fisher?

We face a new year, and with this astonishing concept of ‘post-truth’ to join the digital age, and the post-Christian cultural shift.

So, how do we live in these times? It’s hit my writing right in the centre – my ‘work in progress’ being a contemporary family saga which examines our Western values …

It would be easy to make a clarion call, saying with the Queen by doing many small acts of kindness. She, as we know, had a bad cold, so missed her usual trips to church this Christmas. Many others will have attended traditional Carol Services or Midnight Mass. How much the emphasis on the baby Jesus is relevant, among the general celebratory, festive, wintery, activities is hard to tell: carols like Away in a Manger or See amid the Winter’s Snow can miss the point. ‘Peace on earth’ sang the angel choir in the Christmas story…

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Annunciation 2017: Gabriel shows Mary her surprising future …

The Magnificat, (Mary’s song, from the earliest part of the ‘Christmas story’ ) is very ‘political’.  This baby’s mother, Mary, is hardly the ‘Mother mild’ of ‘Once in Royal David’s City’. Her song praises God for promising to shake up society. The baby Jesus grew up as a predictable son of Mary, who understood about equality, and human rights. His story of the care, and tolerance, which a traveller (the original “Good Samaritan”) showed towards a stranger from another culture and religion, demonstrate the type of attitudes communities and nations need to express towards one another. ‘Peace on earth’ wasn’t simply a beautiful choral display by angels: it was a hope, or wish, or even a prayer or a resolution, for a better future.

One small act of kindness – yes. Mary’s song is about provision for the poor. It questions the power of the rich, it welcomes and celebrates an ending of oppression. It’s also why my painting of the Annunciation features Mary as a student activist …

2017 could be a challenge to us all. What are ‘traditional English/Western values’? How do we mend the rifts in our own society? How can the global community turn from destroying itself to achieve co-operation and harmony? How can the benefits of health care, science, and technology be used fairly and for peace?

Human Rights are really only a beginning – how can the world think to step aside?

 … and, how can anyone be a fiction writer, when there are so many wrongs to right …? It’s my commitment … I just hope it goes some way to convince some readers something worthwhile …

Crime and Punishment in Life and Lit: as featured in The Archers

Happy Families: who sees?
Happy Families: who sees?

Excuse me, if you don’t live in the UK, for talking about a British soap opera, one which probably won’t appear, like Downton, on your TV screens.
I’ve always used The Archers as nice quiet lunch break entertainment.

But for the past 2 years it’s become instead a nail biting tension-raiser.  I’m not about to rant about that. I’m thinking about how we writers draw in our readers.

If you read crime novels, why do you love them? 

Most people seem to enjoy crime fiction for what offers in terms of ‘who (and how) dunnit?’ The crafty patterning. The pleasure of trying to beat the author in uncovering the answers to the detective’s questions. The skill in writing crime is similar to the skill of composing/solving a crossword puzzle. A classic crime story usually doesn’t spend time on deeply developing the characters, since the pleasure of reading, and the essence of page-turning, isn’t primarily rooted in, well, rooting for them. Though of course it can, if there is an element of  adventure, or if rather than focusing on the solving the crime the story involves ‘woman’ (or child, or even man) ‘in jeopardy’.

So what’s interesting and why?

 Here we have a quiet, jogging-along sort of serial story. The Archers suddenly builds up and pursues a storyline where there is a vile villain, a woman jeopardy, and a very real social situation.  Contrast readers’/hearers’ emotional involvement with typical crime stories and this tale’s use of already-developed, well-known characters.

Maybe you (follower or casual reader of the blog) don’t listen to The Archers. Or maybe you do. Maybe you liked Helen, Henry, and Helen’s parents and other relatives already. Or maybe you found Helen boring and slightly neurotic, and Henry a sickeningly drippy kid: the received wisdom has tended towards ‘the awful Henry’. Whichever, we who listen have been taken through the stages of domestic abuse over time with these characters, and far from standing back and studying the patterning of the storyline, we’ve been sucked right in. I found myself caring about Helen as if she was a friend. Willing her to wake up and smell the coffee – or rather, taste the the deception, savour the distastefulness, and perceive the whole false flattery and fantasy that horrible Rob has been throwing over her from the very start of his wooing.

The reader/listener as helpless friend

Why the hell, we think, didn’t she realise what marital rape was? Face up to that sex on the sofa which wasn’t romance, it was a deliberate attack. To ‘get her pregnant’. How can she not hate and long to be rid of the foetus she realises was planted by that act of rape? What makes her willingly/unwillingly submissive? Can she be feeling anything but fear of this man in her life, her house, her bed?

Evidently, yes. She does. Why else did she swear her brother and her friend to secrecy: and so land herself with no witnesses to the true awfulness of her life?

And why do we care – she’s only a voice on the radio, an actress in a studio, expertly using a script.

Writing and acting to a high standard – even though it’s a soap

But, we do care. Or we can. I have. Could feel my  heart beating, my blood pressure rising, as I listened this past few weeks. When Rob derided her. When he lured Henry increasingly into his foul net of lies and promises and deceits. When he separated Helen from her family and brought in his mother as replacement. And finally, when he mocked and derided her and bawled at Henry, after handing Helen a weapon to do the deed (did he hope she would wound him, and thus prove herself psychotic?). What were his plans for poor Henry, long term?

Helen, predictably, protectively, snapped and hit back when he began to abuse her child, and now she’s been arrested. I am caught. I care as if she were real. I am also horrified that a woman so abused and traumatised is being put through arrest and interrogation by the police. Does she deserve punishment? Doesn’t he?

Because I know this is being written as true to life as possible?

Not only that. 

Because I know what they don’t know: the  background to everything. I was there. They were not. I was a fly on the wall throughout.

A practical lesson in writing

 The characters have been carefully built up so we care. Each scene of Helen’s torture by Rob has been carefully crafted. Each declaration of his ‘love and caring’ with expensive presents. Each odd occurrence, for example that secret wedding replacing Helen’s plans. The time frame has been real, and the situations well researched.

The impact of  characterisation well done grips the listener/reader. As I wrote before, writing a series involves getting to really know your characters … and their developing over time…

May Love You to the Moon (the work in progress) grip like this!

It is also a warning

This is the face of ‘non-violent’ domestic abuse. The stuff of taunting, and control. It is also (to my mind) the reason why the whole idea of women’s being expected to be ‘submissive’ in a relationship is, and has always been, so wrong. The reason why ‘obey’ is now so rightly out of the Church of England marriage service, and hopefully all marriage ceremonies. In my opinion, anyway. Control has no place in intimate relationships.

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Happy Families: who sees?

AUTHOR EVENT:

Celebrate books and reading:

It will soon be time for the second  Hawkesbury LitFest … Saturday 23rd April, all dayat Hawkesbury Upton … author readings,talks, poetry, children’s activities … in a Cotswold Village setting 

 

 

 

Mothers’ Day, Mothering Sunday, who do we include?

Anyone who’s read my books, Baby, Baby and The Labyrinth Year

Available from the Hodge website (www.hodgepublishing.com) (or Amazon ...)
Available from the Hodge website (www.hodgepublishing.com) (or Amazon …)

will know they feature families and several different kinds of mothers. Professional women struggling to juggle the work and the family; a pastor’s wife expected to mother the congregation as well as her five growing children; a mother who has escaped a violent teenage marriage, been forced to abandon her child,  and worked in a women’s refuge … Though all are western mothers, and only one has suffered the trauma of the stillbirth of a malformed baby.

This Sunday is Mothers’ Day

or as it used to be known, Mothering Sunday. The middle Sunday in Lent, when (as you may already know), domestic servants had a day off to go and visit Mother.

Hedgerow spring flowers
Hedgerow spring flowers

Many of them would be just kids, really: girls the age we now count legally as children, girls who’d now be in school, girls too young to marry, and who we count as being too young to be seduced into sex. Sent out to earn a living as young teens, some as young as twelve, living in a servants’ attic, eating in the servants’ kitchen surrounded by adults. A visit home to Mother and the sisters and brothers was a real treat. They might take Mother a bunch of flowers, picked from a hedgerow along the way …

In fact, it’s a day about showing love.

So, here we are on Mothers’ Day

Me and my daughter, summer 1981

with cards, shop windows and catalogues of possible gifts, and for churchgoers a service where little  bunches of flowers are given out to the mums.

The churches have also, so as not to leave out the childless, so as to be inclusive, led the way to this becoming an all-women’s day.

It’s a good intention: but is there actually a reasonable argument for keeping this day to specially celebrate and be thankful for mothers? For what they do, for what they go through to produce, nurture, and protect, children? Hoping not to hurt anyone’s feelings, I think there is.

Every-Mothers’ Day

We might up-date celebrating mothers by being aware of mothers world-wide.

Well off, well educated, mothers in Western countries, aren’t in the majority of women on the planet. And we have health care to ensure that (usually) pregnancy, birth, and the post-natal days are safer than ever before. Clean water, a warm home, an income, maternity leave, all work towards happy motherhood. Postnatal depression can be treated.   

Most young girls here have not gone through FGM, with all that does to intercourse and giving birth. 

Most have not, at puberty, had an arranged marriage, which nicely puts an end to education, can lead to pregnancy  before they are fully grown and developed, can lead to dangerous childbirth, or at worst to death.

Most western women do not develop a fistula from going through complicated, protracted labour and delivery in a poverty stricken area without enough doctors, nurses, or trained midwives: for us, the minority, there are maternity units with skilled staff who can perform a safe caesarean.

But all these events give a very realistic picture of being a mother in, say, somewhere like Afghanistan, or many African countries..

Mums in the refugee camps in Europe

Remember this? But most are in camps under makeshift shelters
Remember this? But most are in camps under makeshift shelters

Having fled war, mothers living in makeshift shelters are having keep an eye on their young girls. Living in a tent, or substandard group housing, girls are vulnerable to abduction, presumably to be used for sex. It isn’t nice: it’s a terrible worry for parents. Especially for mothers, who know what sex with an older, maybe roughly forceful, man would be like for their young girls.

So, it’s a day about love?

I would really love to see Mothers’ Day become a day when we think about the reality of being  mothers. While being thankful to our mothers, and for our own safe birth, let’s do more than that. 

That’s not to say we need to deny ourselves giving and receiving flowers, chocs and hugs … But whether or not we are mothers, inclusivity might mean showing empathy to mothers less fortunate: giving to an organisation which cares for women as mothers.Let’s make Mothers Day about love and generous inclusivity 

Find out about fistula, FGM, and other related topics:

Information on FGM, and other related topics

What is a fistula, how are they caused, why are they so dangerous and excluding? 

AUTHOR EVENT:

Celebrate books and reading:

It will soon be time for the second 

 Hawkesbury LitFest … Saturday 23rd April, all day

at Hawkesbury Upton … author readings,

talks, poetry, children’s activities … in a Cotswold

Village setting 

Writing a series: re-connecting with a vision of my characters

 Cambridge: Clare College bridge
Clare College, Cambridge: the bridge

So – when I began Baby, Baby, and even when I decided there was more to tell, and embarked on The Labyrinth Year, series were popular.  But I hadn’t thought in terms of a series. Love you to the Moon (the ‘work in progress’, novel 3 of the Mullins Family saga) now finds Max and Jenny as long-established professionals, into their forties, and parents of teens. It is 2007, and daughter Alice is almost the age Jenny is in some of the backstory scenes of Baby, Baby.

Sennen Village Primary School
Sennen Village Primary School

This is where the writer must skilfully re-connect with the characters, and imagine them forwards through the maturity (or not) that comes with time. Construct a backstory: career events, giving birth and raising kids, all that makes a family saga real for the reader. I shudder at the character changes we’re sometimes presented with by TV soaps – just to fit in the latest cliff-hanger story-line, and I dread falling into that myself!

Clare College entrance, where Jenny met Max
Clare College entrance, where Jenny met Max

Part of me even tries to suggest that this mis-matched pair would surely have parted by now?

If you, reading this, are a writer, I wonder how you would embark on re-finding Jenny, age 42? Last time I knew her, she was barefoot on the beach at Sennen, ten years younger, exiting a labyrinth drawn in the sand by her stepsister Daisy (known as Daze).

01/09/2004 11:23
The sand at Whitesands Bay, Sennen Cove

Daisy’s idea was that everyone walked the labyrinth, carrying a stone or other object to represent something they will leave behind as they move on…

 

Jy's stone 2
Jenny kept the stone which she’d forgotten to leave in the centre of the Labyrinth

… But Jenny finds, as she leaves the path, that she’s still carrying her stone. It feels heavy in her hand.

This led me to say, There is more, here … we should continue the  journey…

Like Daze, I’m a visual artist, so I’ve turned to studying the photos I’ve taken, over time, of the key places in Jenny’s life so far …

Lobster boats, Sennen Cove
Lobster boats, Sennen Cove

… the journey from Sennen Primary School, where she was the new girl in Year 2, after her parents separated …

 

 

 

Camb market
Cambridge Market (where Jenny unexpectedly meets Daisy, pregnant …)

to the local Cape Cornwall secondary school in nearby St Just…

 

to studying Natural Sciences at Cambridge

Typical lab desk, Oxford University Dept. of Pharmacology
Typical lab desk, Oxford University Dept. of Pharmacology

 

 

and her career as a research  scientist in Oxford …

Where next, Jenny? And who with?

 

 

Who are your friends and mentors, what is happening back in West Cornwall, and how is it for you, being a career scientist, a wife, and Mum to two bright teenage girls? Is there drama in this – and, who’s perception of love will drive them to despair?

 

 

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 Oxford Canal

The Labyrinth Year begins with a narrowboat holiday,

 

 

and takes Jenny to speak at a conference in California,

 

 

then ends with her career as an Oxford scientist in jeopardy ..

Oxford University science area from the Parks
Oxford University science area from the Parks

N Ben's garden 2008 - 2

And who is trying to take over the storytelling next?

Available from the Hodge website (www.hodgepublishing.com) (or Amazon ...)
Available from the Hodge website (www.hodgepublishing.com) (or Amazon …)