The Rituals we didn’t attend, the Friends we miss..

Ritual – what does this mean to you? Rituals can be traditional, religious, political: think of all the rituals we love (maybe the family time-honoured way to do Passover or Christmas – those little add-ones which are especially ‘ours’ woven into or onto our religious or traditional festival practice. Our favourite way to celebrate family achievements such as anniversaries or graduations – even publishing a first book.)  Rituals have honoured the arriving, mating, passing, process as far  back as – well, as far back as human life can be traced. In ritual, we as humans find satisfaction, celebration, closure. In a known ritual, we find satisfaction or comfort.

So when locked down by the pandemic, or even beyond that, for those of us who need to be a bit more careful as we move back into the ‘normal’ world again, ritual is much missed. We haven’t celebrated, or honoured, important life events of family and friends along with our circle of family and friends. 

In the shower, I was thinking (as you do, it’s a great place for writers, working out  a difficult scene in a novel – the dialogue effortlessly flowing, unlike at the desk). My showering thoughts a few days ago wandered, homed in on, the group of family and friends whose passing we haven’t been free to mark with ritual. How missed they are from the ‘return to normal life’. Five of them. None caught Covid, and one was spared the entire horrible phase of winter 2019 onwards: all were enormously valuable to us and made our lives brighter in their individual ways. 

Just before Christmas 2019, before the news of the strange new deadly virus far away in China hit the headlines, we as an extended family celebrated the life of Oliver, my brother in law, a quiet, intelligent presence in at the centre of a noisy, argumentative family. A career diplomat, Oliver was also a family one, pouring oil on troubled waters, being a ‘still centre’. The losing thing, after a very short illness, was a bit of a shock to everyone, despite he was in his mid-80s. The service at Blackfriars was done just perfectly for the Catholic/Secular/Muslim large extended family, few of whom are ‘religious’, and the lunch afterwards was a wonderful way to meet up and observe the interacting generations – so many grandchildren from several large families! 

My good friend, bouncy Liz, left us in 2021. Liz was a support for my writing, commissioned several paintings from me, was my companion in retail therapy when we shopped, lunched, and put the world to rights. She was by then a newly retired GP, and much missed by her patients. Liz had always been full of energy, baking and cooking for numerous events at her church, even sometimes after a day in the surgery! She loved people and animals and at one point had eight cats! And she always had a wonderful smile. Liz wasn’t a perfect person, ’(none of us are! ), but a really wonderful, caring, and fun friend to so many.  

That was 2021. Last week came the funeral of Nicola, local self-taught wildlife and nature photographer. It’s almost impossible to realise she’s no longer to be found in the nature reserve, utterly quiet and still, camera focussed on some tiny or very shy creature, a damselfly, a fox, or the first discovery of a particular fungus in our area. I’ve learned a lot about observation simply by being with as well as chatting with Nicola. She would always share things – point out a bird (kingfisher, tree creeper) or an insect, (damselfly on a blade of grass, hardly visible unless one was really looking, a ‘bee-fly’ visiting a flower), so others shared the joys of her acute observation. 

Gina and Georgie, a poet and a priest, are also gone from the human scene. Both worked, in their separate ways, as counsellors, and cared deeply about people, both gave themselves in long hours, and both also equally enjoyed a glass of wine chatting with friends, a celebration, and the quiet, meditative times. Unassuming Gina’s poetry had a naughty side typically her own: Georgie founded and successfully ran a ‘spiritual growth centre’ to which she had a skill with inviting some fantastic speakers for Quiet Days centring on art and literature. 

The world seems messier since the pandemic: war in Ukraine, extraordinary political turmoil in the most unexpected places, climate in crisis. Although, there’s never a time in history when all is quiet, peaceful, in no need of exceptional friends. I am hoping today’s youngsters, struggling through school and college years against the backdrop of all the uncertainty around the climate, the politics, and the inequalities, can still grow up ready to care, inspire, and be celebrated for their thoughtfulness, their friendships, and their capacity for laughter and fun alongside inspiration, diplomacy, and caring.

I also hope our rituals – acknowledging and celebrating rites of passage or religious beliefs – will never become forgotten, set aside, or dispensed with. They don’t need to be outrageously lavish or original, but they do need be special to the person, people, or event celebrated: we are all unique.

Poem for All Souls Day...... And below that,  the cover of Live, Lose Learn , a small book  of my poems...  (available from Hodge Publishing, www.hodgepublishing.co.uk- e-mail office@hodgepublishing.co.uk

‘Time like an ever-rolling stream
Bears all its sons away
They fly forgotten as a dream
Flies at the break of day.’

Time, like an ever-rolling stream ... or
like waves, breaking on the shore,
pulls at each withdrawal
some mass of pebbles,
indifferently makes choices to bear away
and smooth,
dumping them elsewhere on the beach ...

I see them, each a soul ...

A soul within a context:
The antique desk, a candle, fine china,
a prayer... the one whom All Saints’ Tide
this year bore away ...
And another – sixty years her junior, un-timely,
who dyed our bath deep purple,
whom I’d admonished for leaving a trail
of peach-stones, and sticky doorknobs,
in our house –

A favourite Uncle, who mirrored a father gone –

My unassuming friend, beloved of special-needs children, crushed, by a bus ...

My father, defying medical advice,
hastening uphill,
to buy real farmhouse cheddar (with a rind) ...

My aunt – the star pupil, unfulfilling early promise,
breathed her last in poverty, and her sister’s arms –

My mother wondered if her life –
based on ideas of service
– had made a difference –
and supposed the old attic-bedroom wardrobe
of her childhood
haunted her hospital room –

Time’s waves reared up and took them all,
relentless breakers, sifting, plashing, pounding
and re-shaping
our own lives, left behind.
‘Time like an ever-rolling stream
Bears all its sons away
They fly forgotten as a dream
Flies at the break of day.’

Time, like an ever-rolling stream ... or
like waves, breaking on the shore,
pulls at each withdrawal
some mass of pebbles,
indifferently makes choices to bear away
and smooth,
dumping them elsewhere on the beach ...

I see them, each a soul ...

A soul within a context:
The antique desk, a candle, fine china,
a prayer... the one whom All Saints’ Tide
this year bore away ...
And another – sixty years her junior, un-timely,
who dyed our bath deep purple,
whom I’d admonished for leaving a trail
of peach-stones, and sticky doorknobs,
in our house –

A favourite Uncle, who mirrored a father gone –

My unassuming friend, beloved of special-needs children, crushed, by a bus ...

My father, defying medical advice,
hastening uphill,
to buy real farmhouse cheddar (with a rind) ...

My aunt – the star pupil, unfulfilling early promise,
breathed her last in poverty, and her sister’s arms –

My mother wondered if her life –
based on ideas of service
– had made a difference –
and supposed the old attic-bedroom wardrobe
of her childhood
haunted her hospital room –

Time’s waves reared up and took them all,
relentless breakers, sifting, plashing, pounding
and re-shaping
our own lives, left behind.

Memory, an echo in a shell, held to our ears
mimics untouchable realities which once
defined us.

I light a candle,
Un-forgetting, determining
eternity must not be a dream,
and that All Souls’ Day is a feast in heaven.

Memory, an echo in a shell, held to our ears
mimics untouchable realities which once
defined us.

I light a candle,
Un-forgetting, determining
eternity must not be a dream,
and that All Souls’ Day is a feast in heaven.

Tell me the truth about love…

Writing is a process. That’s kind of obvious: but the interesting thing about writing, (or any creative process), is the inevitable interaction between us, the creatives, and the work, as we move through that process.

This blog is based on one I wrote earlier (in 2013). I was moving towards the completion of a first draft, but hadn’t been able to pin down the final pages. How exactly to say au revoir to my characters, and leave my readers with that sense of both satisfaction and longing for more…

Paragraph two began: Yesterday, I completed my second editing of the draft of Baby, Baby’s follow-up: a sequel which takes Max and Jenny into the stormy waters of modern marriage, parenthood, and professional careers. I had one last scene to write, and I knew I’d been putting it off. Well, yesterday was the day after I’d completed the first draft of my latest WIP – the next book in the series… and in taking a break before plunging into first edits, I was doing some desktop tidying-up, and found this – some musings on a word we use and use and abuse daily.

Location location: Oxford, where Max and Jenny move in the second book… the science area from the University Parks

Working through the draft, there’ll be alterations to make, to bring the whole together leading to the revelations which were the goal from the beginning… With The Labyrinth Year, it’s a peaceful resolution, another labyrinth, this time on the beach.  And what got me there as now was a strong desire to have done with shuffling details and a big push towards the pre-planned finale.

But love remains central to the series’s plots, though in another way.

Writing a series, characters move on and grow. The idea was born in Cornwall, where this one ends – and moving from idea to text, early on a character called Max began as a research scientist, a charmer, slightly sinister, very ambitious, and  amoral. He soon morphed, and split. The name attached itself to a very different male protagonist. The character became John Guthrie, mostly-absent father to Jenny, the female lead. Love is at the centre of the plot: but do John and Max love Jenny? Does she love either of them? And why?

I love my family, my garden, my cats, and I love chocolate. Or rather, I love the taste and the feel when I eat chocolate. A piece of chocolate completes a meal: does love complete something?

 Is it that these guys needed/wanted Jenny, to complete themselves?

Max ‘fell’ in love with Jenny: Jenny thinks she loves Max. She was impressed, flattered, and saved from homesickness and the ignominy of doing the heel trick right before her college interview. She could disappear, in ancient, romantic, historic, drily-academic, super-scientific, audacious Cambridge, from damp, dreary, West Cornwall where nothing happens and everything remains traditional, in 1984. She truly loved him.

Sennen Beach, West Cornwall, a sunny day

Max is constrained by his religious background and culture. Taught that love is receptive, open to others, incarnated in service. Jenny begins by perceiving Max (along with Cambridge) as her saviour: she needed him! So do her hormones, her ambitions, her expectations.

But initially, he let her down…

Jenny’s stepsister Daisy meanwhile feels the world owes her: after all, when she was a small child, her mum disappeared at Glastonbury Festival, taking her love along with her. Adopted by Jenny’s middle-class, conventional, GP, mother, expected to appreciate how this women gives ‘love’, Daisy thinks her early deprivation justifies her angry feelings, and kicks against convention.

While Jenny’s dad, John Guthrie, plays with his daughter’s emotions, by giving her academic chances. Is he trying to make up for removing himself from her childhood when he divorced her mother? His clients want a baby, so much they will pay what they can’t afford, and suffer any pain and indignity of treatment. In return, when they get the baby, they love the doctor who made it happen. He receives affirmation.

 Each set of parents claim to ‘love’ their adult children, ‘want the best’ for them… and think they know what’s best. What exactly compels Max and Jenny to continue their relationship, despite parental disapproval? Raging twenty-something hormones? Rebelliousness? Is this love?

Daisy’s rebelliousness, and a gap year job at Guthrie’s research lab lead her into a situation which brings Jenny and Max back together. Though in return for being in relationship, they must both give up something they hold dear, part of themselves, part of their childhood, their upbringing.

So, all of these scenarios, involving wanting, desiring, craving, and getting, are described as driven by love.

For book two, the stage was set, the continuing the story of love. In book three (hopefully moving towards its adulthood in publication) there’s love in friendship, as their daughter Alice recalls her teenage year of first public exams and personal formation… Writing is a process, and as the song says, Tell me the truth about love…

Mothers’ Day, Mothering Sunday, who do we include?

Anyone who’s read my books, Baby, Baby and The Labyrinth Year

Available from the Hodge website (www.hodgepublishing.com) (or Amazon ...)
Available from the Hodge website (www.hodgepublishing.com) (or Amazon …)

will know they feature families and several different kinds of mothers. Professional women struggling to juggle the work and the family; a pastor’s wife expected to mother the congregation as well as her five growing children; a mother who has escaped a violent teenage marriage, been forced to abandon her child,  and worked in a women’s refuge … Though all are western mothers, and only one has suffered the trauma of the stillbirth of a malformed baby.

This Sunday is Mothers’ Day

or as it used to be known, Mothering Sunday. The middle Sunday in Lent, when (as you may already know), domestic servants had a day off to go and visit Mother.

Hedgerow spring flowers
Hedgerow spring flowers

Many of them would be just kids, really: girls the age we now count legally as children, girls who’d now be in school, girls too young to marry, and who we count as being too young to be seduced into sex. Sent out to earn a living as young teens, some as young as twelve, living in a servants’ attic, eating in the servants’ kitchen surrounded by adults. A visit home to Mother and the sisters and brothers was a real treat. They might take Mother a bunch of flowers, picked from a hedgerow along the way …

In fact, it’s a day about showing love.

So, here we are on Mothers’ Day

Me and my daughter, summer 1981

with cards, shop windows and catalogues of possible gifts, and for churchgoers a service where little  bunches of flowers are given out to the mums.

The churches have also, so as not to leave out the childless, so as to be inclusive, led the way to this becoming an all-women’s day.

It’s a good intention: but is there actually a reasonable argument for keeping this day to specially celebrate and be thankful for mothers? For what they do, for what they go through to produce, nurture, and protect, children? Hoping not to hurt anyone’s feelings, I think there is.

Every-Mothers’ Day

We might up-date celebrating mothers by being aware of mothers world-wide.

Well off, well educated, mothers in Western countries, aren’t in the majority of women on the planet. And we have health care to ensure that (usually) pregnancy, birth, and the post-natal days are safer than ever before. Clean water, a warm home, an income, maternity leave, all work towards happy motherhood. Postnatal depression can be treated.   

Most young girls here have not gone through FGM, with all that does to intercourse and giving birth. 

Most have not, at puberty, had an arranged marriage, which nicely puts an end to education, can lead to pregnancy  before they are fully grown and developed, can lead to dangerous childbirth, or at worst to death.

Most western women do not develop a fistula from going through complicated, protracted labour and delivery in a poverty stricken area without enough doctors, nurses, or trained midwives: for us, the minority, there are maternity units with skilled staff who can perform a safe caesarean.

But all these events give a very realistic picture of being a mother in, say, somewhere like Afghanistan, or many African countries..

Mums in the refugee camps in Europe

Remember this? But most are in camps under makeshift shelters
Remember this? But most are in camps under makeshift shelters

Having fled war, mothers living in makeshift shelters are having keep an eye on their young girls. Living in a tent, or substandard group housing, girls are vulnerable to abduction, presumably to be used for sex. It isn’t nice: it’s a terrible worry for parents. Especially for mothers, who know what sex with an older, maybe roughly forceful, man would be like for their young girls.

So, it’s a day about love?

I would really love to see Mothers’ Day become a day when we think about the reality of being  mothers. While being thankful to our mothers, and for our own safe birth, let’s do more than that. 

That’s not to say we need to deny ourselves giving and receiving flowers, chocs and hugs … But whether or not we are mothers, inclusivity might mean showing empathy to mothers less fortunate: giving to an organisation which cares for women as mothers.Let’s make Mothers Day about love and generous inclusivity 

Find out about fistula, FGM, and other related topics:

Information on FGM, and other related topics

What is a fistula, how are they caused, why are they so dangerous and excluding? 

AUTHOR EVENT:

Celebrate books and reading:

It will soon be time for the second 

 Hawkesbury LitFest … Saturday 23rd April, all day

at Hawkesbury Upton … author readings,

talks, poetry, children’s activities … in a Cotswold

Village setting 

Writing a series: re-connecting with a vision of my characters

 Cambridge: Clare College bridge
Clare College, Cambridge: the bridge

So – when I began Baby, Baby, and even when I decided there was more to tell, and embarked on The Labyrinth Year, series were popular.  But I hadn’t thought in terms of a series. Love you to the Moon (the ‘work in progress’, novel 3 of the Mullins Family saga) now finds Max and Jenny as long-established professionals, into their forties, and parents of teens. It is 2007, and daughter Alice is almost the age Jenny is in some of the backstory scenes of Baby, Baby.

Sennen Village Primary School
Sennen Village Primary School

This is where the writer must skilfully re-connect with the characters, and imagine them forwards through the maturity (or not) that comes with time. Construct a backstory: career events, giving birth and raising kids, all that makes a family saga real for the reader. I shudder at the character changes we’re sometimes presented with by TV soaps – just to fit in the latest cliff-hanger story-line, and I dread falling into that myself!

Clare College entrance, where Jenny met Max
Clare College entrance, where Jenny met Max

Part of me even tries to suggest that this mis-matched pair would surely have parted by now?

If you, reading this, are a writer, I wonder how you would embark on re-finding Jenny, age 42? Last time I knew her, she was barefoot on the beach at Sennen, ten years younger, exiting a labyrinth drawn in the sand by her stepsister Daisy (known as Daze).

01/09/2004 11:23
The sand at Whitesands Bay, Sennen Cove

Daisy’s idea was that everyone walked the labyrinth, carrying a stone or other object to represent something they will leave behind as they move on…

 

Jy's stone 2
Jenny kept the stone which she’d forgotten to leave in the centre of the Labyrinth

… But Jenny finds, as she leaves the path, that she’s still carrying her stone. It feels heavy in her hand.

This led me to say, There is more, here … we should continue the  journey…

Like Daze, I’m a visual artist, so I’ve turned to studying the photos I’ve taken, over time, of the key places in Jenny’s life so far …

Lobster boats, Sennen Cove
Lobster boats, Sennen Cove

… the journey from Sennen Primary School, where she was the new girl in Year 2, after her parents separated …

 

 

 

Camb market
Cambridge Market (where Jenny unexpectedly meets Daisy, pregnant …)

to the local Cape Cornwall secondary school in nearby St Just…

 

to studying Natural Sciences at Cambridge

Typical lab desk, Oxford University Dept. of Pharmacology
Typical lab desk, Oxford University Dept. of Pharmacology

 

 

and her career as a research  scientist in Oxford …

Where next, Jenny? And who with?

 

 

Who are your friends and mentors, what is happening back in West Cornwall, and how is it for you, being a career scientist, a wife, and Mum to two bright teenage girls? Is there drama in this – and, who’s perception of love will drive them to despair?

 

 

DSC04335.JPG
 Oxford Canal

The Labyrinth Year begins with a narrowboat holiday,

 

 

and takes Jenny to speak at a conference in California,

 

 

then ends with her career as an Oxford scientist in jeopardy ..

Oxford University science area from the Parks
Oxford University science area from the Parks

N Ben's garden 2008 - 2

And who is trying to take over the storytelling next?

Available from the Hodge website (www.hodgepublishing.com) (or Amazon ...)
Available from the Hodge website (www.hodgepublishing.com) (or Amazon …)

Standing with Parisians, under the tricolour

Soon after ‘Remembrance Day’ I find myself symbolically dressed

It wasn’t until I added a beret (because it was howling a gale outdoors and I didn’t want my hair blowing across my face) that I glanced in the mirror and saw I was dressed in the colours of the Tricolour. Freudian, you say? Hardly: a navy and white striped skirt demanded a plain jumper, and the cherry-coloured one, bought recently, went perfectly: red and navy, a traditional match.

We have exchanged the red poppies of peace in Europe, produced originally as reminders never to go to war again, for the Tricolour, which arose from the French Revolution. We stand united with the people of Paris, traumatised since Friday’s terrorism. What our leaders decide to do about this may  look like retaliation, or ‘revenge’.

Young adults visiting Paris in the 1930s: hardly a more peaceful time to come? (Source: family history album)
Young adults visiting Paris in the 1930s: hardly a more peaceful time to come? (Source: family history album)

For days I’ve wished the rhetoric would stop, sadness at the consequences of all our clashing histories would sink in, and be admitted, and  recognised in as many ways as possible. Busy deciding on whether to write about ‘Christmas, what does it mean to you?’ or ‘Why I write what I write’ for my next blog, I’ve ‘procrastinated’ by working on my novel.

Novel number 3 in the Mullins Family Saga: Love You to the Moon is themed around the vexed question of  what we mean by ‘love’. Constructed to include a variety of expressions of love, the plot should lead towards a catastrophic gesture in which the love (obvious to its perpetrator but not to anyone else) is certainly debatable.

So what do we mean by ‘Love’?

On Saturday, a quote from Martin Luther King was circulating on Facebook. The message, basically, was love can conquer hate. Meant as a message hope, this carries within it the sad fact that hope is so crushable, so disposable, and so easily forgotten.

Martin Luther King was a preacher, and knew his Bible: in the words he chose, he had adapted a phrase, well known and read at most Carol Services. Soon it will be Christmas, and all over Britain crowds, whether normally churchgoers or not, will hear it read: The light shines in the darkness, and the darkness has not overcome it.

Sometimes the original Greek phrase is translated as ‘the darkness has not comprehended (understood) it.’ Here’s something so significant for our time. Light shining into darkness illuminates, penetrates, and makes everything clear to see. When we further translate, using love for light, then love being shown to those who do not understand love, and whom we believe to have acted through hate (translated darkness) should be a powerful weapon, or rather, a powerful overcomer, for love doesn’t seek, in overcoming, to destroy.

However … were it that easy!

My motivation for looking at ‘love’ in the next Mullins family series is to try and tease out, in story,  the meanings, and the interpretations, of this so widely and over-used word.  ‘Altruism’ or unselfish acts, given freely beyond duty or  expectation of ‘payback’ has been dismissed, debunked, or denied existence  by thinkers like Richard Dawkins: we all know about The Selfish Gene or we think we do. Every unselfish act is really me-directed. (Really …?)

Alongside that belief, ‘love’ is used when ‘desire’,  ‘instinct’ or ‘desire to control’ would fit the context better. Literature is filled with such uses and excuses. A  banner at a demonstration against domestic violence, especially rape, reads ‘Love shouldn’t Hurt’, but  the obviously contextual meaning  was ‘Sex shouldn’t hurt’. Which was somehow also sad since love, as in generosity, does quite often hurt,  but in a very different way.

The bothersome questions

So, back to Paris, Friday 13th, and the sudden atrocities in the city perhaps most associated with Love (equals sex/romance)?  Emotions poured out, candles and flowers, expressing sorrow, horror, fear: immediate reactions.

A few days on,  if we collectively self-identify with the light/love quote expressed in that and, adopt a Tricolour solidarity as our Facebook profile, what does this mean to us, to  those who were caught up in the events, or to on-lookers?  We need to ask ourselves this question.  Long term, what is this solidarity? And to answer with honesty and integrity. Would we agree to do everything in our power to seek revenge, or to see that the collective reaction of Europe is not one of hatred, and if so, what actually does getting involved mean?  Are our collective hands clean anyway, in historical terms, are we white as pure light, or have we, as  nations, thrown elements into the international pot which is now boiling over?

Are we also fundamentalists, our current fundamentalism being free speech, strangely coupled with a strong cultural preference for secular values? Historically the religious cultural background of Europe, brought over from the Middle East itself, are not control, empire-building or capitalism. Ironically, they are based on a teaching of ‘love towards enemies’ with a bias towards the poor and the disadvantaged. It was for our founder to be the basis for condemnation and execution.

The shadow of revenge

While realising that in pragmatic, realistic terms, air strikes and retaliation may be forced upon the international community, it is horrifying to hear the rhetoric from some international leaders. At the same time, standing back we wonder at our own reactions, hope these are more than ‘knee-jerk’ and whether our love is real enough to stand testing. What do candlelight vigils and bouquets really mean, once the candles burnout and the flowers wither and fade? When the street cleaners clear it all up – which they will inevitably  have to.

How ironic that the attack took place only 2 days after the anniversary of the Armistice: is anyone left alive who can recall that day, and how felt? ‘Remembering’ was instituted so that there would ‘be no more war’, and not to ‘glorify the military’. SInce then, weapons and devices have increased in power and in use.

I return to writing my novel themed around what is love, using that phrase which, analysed for meaning would be found to be meaningless: Love You to the Moon.

Related Articles (which I’ve read in the past few days) you may find interesting:

From The Guardian’s Middle East Editor, Sunday 15th November  (The information here is referred to in Arab Digest, a blog which collects together articles from journalists and experts on the Middle East from around the world)

SheridanVoysey’s blog on Turning the other cheek in an age of terrorism